916.
Παλλάδος ξυνοικίαν
, i. e.
to dwell with Pallas.
918.
῎Αρης
. is specially mentioned, no doubt because of the Areiopagos, the scene of the latter half of the play.
924.
ἐξαμβρῦσαι
. (from ἐξαναβρύω used transitively) is Pauw's probable correction of the meaningless readings of MSS. It is adopted by H. Weil, Lin., Schütz. Well.
929.
κατανασσαμένη
, middle,
housing in my city. 11. 932, 933. The MSS. read
ὁ δὲ μὴ κύρσας βαρέων τούτων
οὐκ οἶδεν ὅθεν πληγαὶ βιότου.
Now τούτων here must refer to the Furies, as αὗται above and τάσδε below: and consequently βαρέων must be wrong, as (1) it is the wrong gender: (2) even if we suppose (with D.) a fem. form βαρεῶν, it clearly is the wrong sense. What Aeschylus means to say is,
He who incurs the wrath of the Furies meets with unexpected calamity: the sins of his fathers bring him into their power.
964.
ἐπιβριθής
, lit.
weighing down upon,
falling heavily on: i. e.
grievous .
1034.
παῖδες ἄπαιδες
, the MSS. reading, could hardly mean
childless children, which seems pointless: it might mean
evil children, like vᾶes ἄναες: but the real objection to any such word as ἄπαιδες is that here the words in which the Chorus are addressed are specially reverent and honourable. It is best to reject it and then we get rid also of τύχᾳ τε, meaningless and unmetrical, at the end of 1. 1037.