Eumenides. Aeschylus. . 2026.
Εὐμενίδες (1518 edition; OCR draft) (Greek) (Aeschylus, Eumenides, 1518 edition. VLM-assisted OCR with native lineation and automated correspondence to the Smyth edition.)
Provisional text from uncorrected OCR; expect errors.
No corresponding passage available
929.
κατανασσαμένη
, middle,
housing in my city. 11. 932, 933. The MSS. read
Now τούτων here must refer to the Furies, as αὗται above and τάσδε below: and consequently βαρέων must be wrong, as (1) it is the wrong gender: (2) even if we suppose (with D.) a fem. form βαρεῶν, it clearly is the wrong sense. What Aeschylus means to say is,
He who incurs the wrath of the Furies meets with unexpected calamity: the sins of his fathers bring him into their power.
ὁ δὲ μὴ κύρσας βαρέων τούτων
οὐκ οἶδεν ὅθεν πληγαὶ βιότου.
964. ἐπιβριθής , lit. weighing down upon, falling heavily on: i. e. grievous .
1034. παῖδες ἄπαιδες , the MSS. reading, could hardly mean childless children, which seems pointless: it might mean evil children, like vᾶes ἄναες: but the real objection to any such word as ἄπαιδες is that here the words in which the Chorus are addressed are specially reverent and honourable. It is best to reject it and then we get rid also of τύχᾳ τε, meaningless and unmetrical, at the end of 1. 1037.
mvp-comment-707-1
δυςαρέστους:
δυσαρέτους Ald.
mvp-comment-708-1
κατανασσαμένη:
κατανασαμένη Αld.
mvp-comment-487-1 Wecklein 1888, p. 314
mvp-comment-487-2 Kommos. Der Chor erfleht oder weissagt alles Gute (Wachstum und Gedeihen der Früchte und Herden Gesundheit des Volkes und bürgerliche Eintracht Wohlwollen und Segen der Götter) für Athen und wird darob von Athena belobt und geehrt. · ξυνοικίαν: zu 836.
mvp-comment-491-1 Wecklein 1888, p. 315
mvp-comment-491-2 πράσσω αὐτοῦ κατανασ σαμένη, erwirke ich dadurch, dafs ich sie hier Wohnung zu nehmen bestimmt babe. Den aktiven Aor. κατένασσα braucht in der Bedentung,,ansiedeln" Hesiod W. u. T. 166, Theog. 329, 620.
κατανασσαμένη
, middle,
housing in my city.
ll. 932, 933
. The MSS. read
Now τούτων here must refer to the Furies, as αὗται above and τάσδε below: and consequently βαρέων must be wrong, as (1) it is the wrong gender: (2) even if we suppose (with D.) a fem. form βαρεῶν, it clearly is the wrong sense. What Aeschylus means to say is,
He who incurs the wrath of the Furies meets with unexpected calamity: the sins of his fathers bring him into their power.
ὁ δὲ μὴ κύρσας βαρέων τούτων
οὐκ οἶδεν ὅθεν πληγαὶ βιότου.
mvp-sidgwick-430-2-1 We must take therefore some emendation like ἱλαρῶν (Weil.), χαροπῶν (Weck.), τῶνδ᾽ εὐμενέων (Hart.): of which I have preferred the former. βαρέων will perhaps have arisen from confusion of β- and ιλ-: or perhaps from a gloss. Another question arises about the metre. Hermann, followed by most edd. (Lachm. Franz. Pal. Hart. Merkel. Weil.), has assumed that Athena's anapaestic stanzas, which alternate with the lyrics, correspond. There are five such stanzas: the three middle ones (at ll. 949, 968, 988 ) are all the same length: and the first and the last would be exactly equal, if after βιύτου we read some words like προσέπαισαν (H.). The practice is not uniform: thus in the κομμός in the Choephoroi the anapaestic alternating stanzas do not correspond, though roughly about the same length: on the other hand in Agamemnon (11. 1448-1577) the anapaests do correspond.
mvp-sidgwick-430-3-1 It is on the whole more probable that the latter is the case here: and I have accordingly adopted H.'s προσέπαισαν.
mvp-sidgwick-430-4-1 The sense then is, He who finds them not propitious is stricken with calamities he knows not whence: and μὴ ἱλαρῶν κύρσας is really a euphemism for offended.