Aeschylus Prometheus Bound 60

Anna Swanwick (Translator)

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OCEANOS
The goal of my long course at length I gain,
And come, Prometheus, to thy side.
This swift-winged bird without a bit I rein,
My will his only guide.
Compassion for thy fate, be sure, I feel;
Thereto the tie of kin constraineth me:
But blood apart, to no one would I deal
More honour than to thee.

That true my words thou soon shalt know;
No falsely glozing tongue is mine;
Come, how I may assist thee plainly show,
For than Oceanos a friend more leal
Thou ne'er shalt boast as thine.

Prometheus Bound. Aeschylus. Anna Swanwick (Translator). London. 1886.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

Prometheus Bound (OCR draft) (English) (Prometheus Bound. Anna Swanwick, 1886.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Προμηθεὺς Δεσμώτης First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 1-127 focus
Προμηθεὺς δεσμώτης Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 1-127 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Guilielmus Dindorfius, 1882.) — 61 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Gottfried Hermann, 1852.) — 61 focus
ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ (OCR draft) Experimental (ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ. Paul Mazon, 1920-1925.) — 61 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. N. Wecklein, 1885.) — 61 focus
καὶ τήνδε νῦν πόρπασον ἀσφαλῶς, ἵνα
μάθῃ σοφιστὴς ὢν Διὸς νωθέστερος.
Aeschyli Prometheus Vinctus (OCR draft) Experimental (Aeschyli Prometheus Vinctus. Ulrich von Wilamowitz-Moellendorff, 1914.) — 61 focus
Translations (8)
Prometheus Bound Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 1-125 focus
Prometheus Bound. (OCR draft) Experimental (Prometheus Bound.. Theodore Alois Buckley, 1849.) — 61 focus
And now clasp this securely, that he may perceive himself to be a duller contriver than Jupiter.
PROMÉTHÉE ENCHAINÉ (OCR draft) Experimental (PROMÉTHÉE ENCHAINÉ. Paul Mazon, 1920-1925.) — 61 focus
ne laisse pas de jeu : même à l'inextricable il est capable de trouver une issue.
Prometheus Chained (OCR draft) Experimental (Prometheus Chained. Robert Potter, 1779.) — 61 focus
And now claſp this ſecure, that he may learn
How impotent his craft, oppos'd to Jove.
Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 61 focus
Pur, quest' arte l'avesse altri in retaggio!
Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 61 focus
Hanc quoque fibulâ fortiter, ut
Diſcat se impoſtorem ignauiorem eſse Ioue.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Prometheus Bound — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 61 focus
Then shackle safe the other, that he know
His utmost craft is weaker far than Zeus.
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 61 focus
Nun fess'le den auch sicher an, damit er lernt,
Er sei, der Schlaue, gegen Zeus ein blinder Thor.

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

300. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-332

καὶ σὺ δὴ:
δ'
omittunt Lips. 2. in quo
σὺ
in rasura duarum syllabarum est, et Aug. Ald. Rob.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

193-396. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-145

1
2
193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says: τὴν ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play) βουλό- μενος διδάξαι, τὸ περίεργον (curiosity) τοῦ γυναικώδους ήθους προσέλαβεν (availed himself of, as a motive). οὐκ ἂν γὰρ ὁ ᾿Ὠκεανds (who enters later) ἠξίωσεν ἐρωτῆσαι εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.

284-396. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-203

3
4
284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed (τετρασκελής οἰωνός 395) like 285. 290 Pegasus. The scholiast understands a griffin, because of this word οἰωνός, but sea-gods, in older Greek art, are often seen riding on hippocamps or sea-horses. The machine here used was the αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks, καιρὸν δίδωσι τῷ χορῷ καθήκασθαι (καθιμᾶσθαι ?) τῆς μηχανῆς ᾿Ὠκεανὸς ἐλθών· ὑπερβολῇ δὲ ἐχρήσατο, ὅπου γε Ὅμηρος οὐκ εἰσήγα- γεν ᾿Ὠκεανὸν εἰς τὸν σύλλογον τῶν θεῶν (on this cp. Il. xx. 7 οὔτε τις οὖν Ποταμῶν ἀπέην νόσφ᾽ ᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.