193-396.
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193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
284-396.
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284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed
(τετρασκελής
οἰωνός 395) like 285.
290 Pegasus. The scholiast understands a griffin, because of this word
οἰωνός, but
sea-gods, in older Greek art, are often seen riding on hippocamps or
sea-horses. The machine here used was the
αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks,
καιρὸν
δίδωσι
τῷ
χορῷ
καθήκασθαι
(καθιμᾶσθαι ?)
τῆς
μηχανῆς
᾿Ὠκεανὸς
ἐλθών·
ὑπερβολῇ
δὲ
ἐχρήσατο,
ὅπου
γε
Ὅμηρος
οὐκ
εἰσήγα-
γεν
᾿Ὠκεανὸν
εἰς
τὸν
σύλλογον
τῶν
θεῶν (on this cp. Il. xx. 7
οὔτε
τις
οὖν
Ποταμῶν
ἀπέην
νόσφ᾽
᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.
291.
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291 f.
ὅτῳ ...
νείμαιμι : without av, as Ag. 620
οὐκ
ἔσθ᾽
ὅπως
λέξαιμι, Cho. 172
οὐκ
ἔστιν
ὅστις
πλὴν
ἐμοῦ
κείραιτό
νιν, Il. xxii. 348
ὡς
οὐκ
ἔσθ᾽
ὃς
σῆς
γε
κύνας
κεφαλῆς
ἀπαλάλκοι, Soph. Phil. 692
οὐκ
ἔχων
βάσιν
οὐδέ
τιν᾿
ἐγχώρων
κακογείτονα,
παρ᾽
ᾧ
στόνον
ἀποκλαύ-
σειεν, Eur. Alc. 52
ἔστ᾽
οὖν
ὅπως
῎Αλ-
κηστις
εἰς
γῆρας
μόλοι; 117
οὐδὲ
ναυ-
κληρίαν
ἔσθ᾽
ὅποι TIS
αἴας
στείλας
δυστάνου
παραλύσαι
ψυχάν. GMT.241; Krüger II. § 54, 3, 8. –
μοῖραν
νεί-
μαιμι: cp. Hdt. ii. 172
ἐν
οὐδεμιῇ
μοίρῃ
μεγάλῃ
ἦγον, Plat. Crat. 398 b
μεγά-
λην
μοῖραν
καὶ
τιμὴν
ἔχει. This sense of dignity, station, rank was devel- oped from the meaning due share, just due. Cp. Soph. Trach. 1238
ἁνὴρ
ὅδ᾽,
ὡς
ἔοικεν,
οὐ
νεμεῖν
ἐμοὶ
φθίνοντι
μοῖραν.
294.
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294.
χαριτογλωσσεῖν : see on 180.
ἔνι
μοι : 'tis my nature; cp. 224.
296.
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296.
᾿Ὠκεανοῦ: instead of
ἐμοῦ,
:1
because the speaker is stating a fut- ure thought of Prometheus. This mention of his own name imparts an air of assurance to his asser- tion; cp. Soph. O. C. 626
κοὔποτ᾽
Οἰδίπουν
ἐρεῖς
ἀχρεῖον
οἰκητῆρα
δέξα-
σθαι. At the same time it serves the incidental purpose of inform- ing the spectators who the new- comer is.
298.
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298.
τί
χρήμα: cp. Ag. 1306, Cho. 885
τί
δ᾽
ἐστὶ
χρῆμα; Eur. Andr. 896, Suppl. 92, Hipp. 905, H. F. 525, Or. 1573
ἔα,
τί
χρῆμα;
299.
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299.
πόνων
ἐμῶν
ἐποπτής : see 118. –
ἐτόλμησας
λιπὼν
ἐπώνυμον
ῥεῦμα: cp. the scholion quoted on 284-396.