Aeschylus Prometheus Bound 136

Anna Swanwick (Translator)

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Prometheus Bound. Aeschylus. Anna Swanwick (Translator). London. 1886.

Sponsored by University of Leipzig.

Funding provided by European Social Fund Saxony.

Current edition Experimental

Prometheus Bound (OCR draft) (English) (Prometheus Bound. Anna Swanwick, 1886.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Προμηθεὺς Δεσμώτης First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 128-194 focus
Προμηθεὺς δεσμώτης Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 136 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Guilielmus Dindorfius, 1882.) — 136 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Gottfried Hermann, 1852.) — 136 focus
ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ (OCR draft) Experimental (ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ. Paul Mazon, 1920-1925.) — 136 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. N. Wecklein, 1885.) — 136 focus
αἰαι αἰαι,
τῆς πολυτέκνου Τηθύος ἔκγονα,
τοῦ περὶ πᾶσαν θ' εἱλισσομένου
χθόν᾽ ἀκοιμήτῳ ῥεύματι παῖδες
πατρὸς Ὠκεανοῦ,
145
δέρχθητ᾽, ἐσίδεσθ' οἵῳ δεσμῷ
προσπορπατὸς τῆσδε φάραγγος
σκοπέλοις ἐν ἄκροις
φρουρὰν ἄζηλον ὀχήσω.
Aeschyli Prometheus Vinctus (OCR draft) Experimental (Aeschyli Prometheus Vinctus. Ulrich von Wilamowitz-Moellendorff, 1914.) — 136 focus
Translations (8)
Prometheus Bound Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 136 focus
Prometheus Bound. (OCR draft) Experimental (Prometheus Bound.. Theodore Alois Buckley, 1849.) — 136 focus
Alas! alas! ye offspring of prolific Thetys, and daughters of Ocean your sire, who rolls around the whole earth in his unslumbering stream; look upon me, see clasped in what bonds I shall keep an unenviable watch on the topmost crags of this ravine.
PROMÉTHÉE ENCHAINÉ (OCR draft) Experimental (PROMÉTHÉE ENCHAINÉ. Paul Mazon, 1920-1925.) — 136 focus
sans jamais dormir,
roule autour de la terre immense, voyez, contemplez les chaînes qui m'agrafent au sommet de ce précipice rocheux, où je dois monter une garde que nul jamais ne m'enviera.
Prometheus Chained (OCR draft) Experimental (Prometheus Chained. Robert Potter, 1779.) — 136 focus
Ah me! Ah me!
Ye virgin ſiſters, who derive your race
From fruitful Thetis, and th' embrace
Of old Oceanus, your ſire, that rolls
145
Around the wide world his unquiet waves,
This way turn your eyes, behold
With what a chain fix'd to this rugged ſteep
Th' unenvied ſtation of the rock I keep.
Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 136 focus
Qui m'addusser del vento i soffî rapidi,
poi che del padre a stento ebbi il consenso.
Come echeggiò dei ferrei colpi l'eco
nel fondo del mio speco.
ogni pudico senso
155
discacciato da me,
scalzo lanciai su alato cocchio il pie'.
Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 136 focus
Heu heu, multiparæ Tethyos prolés,
Et totam ambientis
Terram inquieto fluctû filiæ
Patris Oceani: reſpicite, uidete,
145
Quali uinculó uinctus sum,
Huius uallis in altis ſcopulis,
Cuſtodiam minimè expetendam sustinebó.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Prometheus Bound — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 136 focus
Ah well-a-day! ye come, ye come
From the Sea-Mother's teeming home—
Children of Tethys and the sire
Who around Earth rolls, gyre on gyre,
155
His sleepless ocean-tide!
Look on me—shackled with what chain,
Upon this chasm's beetling side
I must my dismal watch sustain!
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 136 focus
Ach, ach!

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

140. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-138

ἐςίδεσθ':
ἐσίδεσθ'
non
ἐσίδεσθέ με
neque
εἰσίδεσθέ μ'
, M. atque ita Turn.
ἐσίδεσθέ με
G. et alii codices.
ἐσίδεσθέ μου
Lips. Aug.
ἐσίδεσθέ με
plerique.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

128-192. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-99

1
2
128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car (ὄχῳ πτερωτῷ 135, κραι- πνόσυτον θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127 (φοβερόν). - The ᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates forty-one by name, and adds πολλαί γε μέν εἶσι καὶ ἄλλαι, τρὶς γὰρ χίλιαί εἰσι τανύσφυροι Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls ' παροδικά, ὅτε λέγει (sc. ὁ χορός) δι᾽ ἣν αἰτίαν πάρεστιν.' - The rhythms ( ῥυθμὸς ᾿Ανακρεόντειός ἐστι κεκλασμένος πρὸς τὸ θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.