193-396.
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193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says:
τὴν
ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play)
βουλό-
μενος
διδάξαι,
τὸ
περίεργον (curiosity)
τοῦ
γυναικώδους
ήθους
προσέλαβεν (availed himself of, as a motive).
οὐκ
ἂν
γὰρ
ὁ
᾿Ὠκεανds (who enters later)
ἠξίωσεν
ἐρωτῆσαι
εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.
265.
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265 f. With the words
ἐγὼ
δὲ
ταῦθ᾽
ἅπαντ᾿
ἠπιστάμην and
ἑκών Prome- theus rejects the charge of impru- dence, and restricts his
ἁμάρτημα to the disregard of
self-interest, as de- scribed in the next verse (267). So his 'error' is after all a noble ac- tion. –
ἑκὼν
ἑκών: repetition
(ἀva-
δίπλωσις) emphasizes expressions of sorrow, entreaty, and asseveration. Ср. 274, 338, 688, 694, 887, 894, 999; also 577, 594, and 392, 937. –
οὐκ
ἀρνήσομαι: this refers only to the word
ἥμαρτον. The sense is, "I will not object to your phrase
ἥμαρτες” (260), "I will not insist on another word."
267.
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267.
θνητοῖς
ἀρήγων: explanatory asyndeton. See on 235. –
ηὑρόμην : cp. Sept. 878
μελέους
θανάτους
ηὕροντο, Soph. Ai. 1023
καὶ
ταῦτα
πάντα
σοῦ
θανόντος
ηὑρόμην.
268.
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268 ff.
ᾠόμην...
με
κατισχνανεῖ-
σθαι . . .
τυχόντα: instead of
ᾠόμην
κατισχνανεῖσθαι
τυχών. Krüger I. § 55, 2, 3; H. 940 b. For Homeric exam- ples see Krüger II. § 51, 2, 1 and § 55, 2, 2. Cp. also Soph. Ai. 606
κακὰν
ἐλπίδ᾽
ἔχων
ἔτι
μέ
ποτ᾽
ἀνύσειν,
Ει. 65
καμ᾽
ἐπαυχῶ...
λάμψειν
ἔτι, 471
δοκῶ
με
πεῖραν
τήνδε
τολμήσειν
ἔτι, Eur. Alc. 641
καί
μ᾽
οὐ
νομίζω
παῖδα
σὸν
πεφυκέναι, Hdt. i. 34
ὅτι
ἐνόμισε
ἑωυτὸν (emphatic)
εἶναι
ἀνθρώ-
πων
ἁπάντων
ὀλβιώτατον, Plat. Rep. iii. 400 b
οἶμαι
δέ
με
ἀκηκοέναι, Isocr.
ιν. 85
οὐκ
ἐχθροὺς
ἀλλ᾽
ἀνταγωνιστὰς
σφᾶς
αὐτοὺς
εἶναι
νομίζοντες. -
κατι-
σχνανεῖσθαι: cp. 147. Future middle used like
aὐανοῦμαι, Soph. Phil. 954. Krüger I. § 39, 11. –
πεδαρσίοις : see 710, 916; Cho. 846
λόγοι
πεδάρσιοι
θρώσκουσι. This Aeolic form
(πεδά =
μετά) Aeschylus uses in a few other words:
πέδοικος Frg. 48,
πεδαίχμιος and
πεδάορος Cho. 589 f. –
ἐρήμου: cp. Frg. 305, 10
δρυμοὺς
ἐρήμους
καὶ
πά- 275
280
γους, Soph. Phil. 691
ἵν᾿
αὐτὸς
ἦν
πρόσουρος
οὐκ
ἔχων
βάσιν
οὐδέ
τιν'
ἐγχώρων
κακογείτονα.
271.
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271.
καί
μοι
κτέ.: and so bewail my lot no more, presupposing the thought "your admonitions are unavailing." ·
δύρεσθε:
δύρομαι =
ὀδύρομαι belongs to tragic diction.
272.
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272.
πέδοι
βᾶσαι: i.e. so as to listen more conveniently to a long narra- tion. A motive is thus provided for the descent of the chorus from its
ear into the orchestra.
βούλεται
γὰρ
στῆσαι
τὸν
χορὸν
ὅπως
τὸ
στάσιμον
ᾄσῃ, Schol.
273.
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273.
διὰ
τέλους: cp. Soph. Ai. 685
διὰ
τέλους
εὔχου
τελεῖσθαι. For the resolution see on 76. It is rendered easier by the fact that the chief cae- sura falls in the fourth foot (see on 2).
275.
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275.
νῦν: said in reference to the thought which follows,
"to-morrow your turn may come." -
ταὐτά: ad- verbial, nearly =
κατὰ
κοινόν, impar- tially, for all alike. See on 398, and cp. Soph. Ai. 687
ταὐτὰ
τῇδέ
μοι
τάδε
τιμᾶτε. Properly it is the inner object (cognate accusative).