128-192.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-99
128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car
(ὄχῳ
πτερωτῷ 135,
κραι-
πνόσυτον
θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127
(φοβερόν). - The
᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates
forty-one by name, and adds
πολλαί
γε
μέν
εἶσι
καὶ
ἄλλαι,
τρὶς
γὰρ
χίλιαί
εἰσι
τανύσφυροι
Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls '
παροδικά,
ὅτε
λέγει (sc.
ὁ
χορός)
δι᾽
ἣν
αἰτίαν
πάρεστιν.' - The rhythms (
ῥυθμὸς
᾿Ανακρεόντειός
ἐστι
κεκλασμένος
πρὸς
τὸ
θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.
158.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-122
158.
κίνυγμα: Eustathius on Il. iv. 281 says,
τοῦ
δὲ
κινύω
αὖθις
παράγω-
γον
τὸ
κινύσσω·
ἐξ
οὗ
παρ᾿
Αἰσχύλῳ
αἰθέριον
κίνυγμα,
τὸ
ἀέριον
εἴδωλον. It is formed like
αἴθυγμα from
αἰθύσσω,
αἴνιγμα from
αἰνίττομαι. Cp. Cho. 196
ἐκινυσσόμην, might be driven this way and that, might waver.
αἰθέριον
κίνυγμα (oscillum) is a thing waving in
mid-air. It applies to Prometheus in that he hangs in the open air with nothing for his feet to rest on.
161.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-123
161.
συνασχαλᾷ: from
συνασχα-
λάω, whereas
συνασχαλῶν 303 is future of
συνασχάλλω. Cp. Isocr. Iv. 181
συνοργισθῆναι
τοῖς
ἀδικηθεῖσιν, also
συμ-
πονεῖν 274 below, and
συγχαίρειν,
συνή-
δεσθαι. In all these,
συν- denotes sympathy with grief or joy.
162.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-124
162. The ancient form
τεός for
σός occurs now and then in the lyric por- tions of tragedy. In Aeschylus twice besides this place, Sept. 105, Frg. 66. Only the melic trimeter (162 = 181) admits, in Aeschylus, three resolutions in a single verse. Cp. Suppl. 111 = 123, Ag. 485, Cho. 44 = 55. A tribrach in the second foot is found in only one other verse of this play (715), and there in a proper name.
163.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-125
163.
θέμενος: cp. Il. ix. 629
ἄγριον
ἐν
στήθεσσι
θέτο
μεγαλήτορα
θυμόν, Tyrtaeus Frg. 11, 5
ἐχθρὰν
μὲν
ψυ-
χὴν
θέμενος, Theogn. 89
ἀλλὰ
φίλει
καθαρὸν
θέμενος
νόον
ἤ
μ᾿
ἀποειπὼν
ἔχθαιρε. –
ἄγναμπτον: instead of this, the metre demands a word which shall form two iambi. Cp. the anti- strophe 182. Probably H. L. Ahrens's conjecture,
ἀκνάμπετον, is to be received (cp.
ἄπευκτος and
ἀπεύχετος,
καμψίπους and
καμπεσίγουνος,
παναρκής and
πανάρκετος). With
ἄγναμπτον
νόον cp. Il. xxiv. 41
οὐδὲ
νόημα
γναμπτὸν
ἐνὶ
στήθεσσι. 170.
175
164.
mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-126
164 f.
δάμναται : an epic word; ac- tive in sense here and Od. xiv. 487
ἀλλά
με
χεῖμα
δάμναται, passive Suppl. 904, as in the Iliad. –
Οὐρα-
νίαν
γένναν : the race of Uranus. Cp. 205, and Frg. III. of the
Προμηθεὺς
λυόμενος below, Titanum suboles generata Caelo; also Il. v. 898
Οὐρανιώνων.
Οὐρανίαν is said like Ag. 83
Τυνδαρέα
θύγατερ, ibid. 1499
᾿Αγα-
μεμνονίαν
ἄλοχον,
Il.
xiv. 317
Ιξιονίης
ἀλόχοιο. See also 590 below.