128-192.
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128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car
(ὄχῳ
πτερωτῷ 135,
κραι-
πνόσυτον
θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127
(φοβερόν). - The
᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates
forty-one by name, and adds
πολλαί
γε
μέν
εἶσι
καὶ
ἄλλαι,
τρὶς
γὰρ
χίλιαί
εἰσι
τανύσφυροι
Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls '
παροδικά,
ὅτε
λέγει (sc.
ὁ
χορός)
δι᾽
ἣν
αἰτίαν
πάρεστιν.' - The rhythms (
ῥυθμὸς
᾿Ανακρεόντειός
ἐστι
κεκλασμένος
πρὸς
τὸ
θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.
152.
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152.
νέρθεν
"Αιδου: with emphasis, nay, under very Hades. That is, into
Tartarus, following the conception of
11. viii. 13
ἤ
μιν
ἑλὼν
ῥίψω
ἐς
Τάρτα-
ρον
ἠερόεντα, ...
τόσσον
ἔνερθ᾽
᾿Αίδεω
ὅσον
οὐρανός
ἐστ᾿
ἀπὸ
γαίης (whereas in Eum. 72
Τάρταρόν
θ᾽
ὑπὸ
χθονός, Tar- tarus is equivalent to Hades). Into Tartarus the other Titans had been thrown: Il. viii. 481; Hesiod Theog. 719
τόσσον
ἔνερθ᾽
ὑπὸ
γῆς
ὅσον
οὐρανός
ἐστ᾿
ἀπὸ
γαίης·
ἶσον
γάρ
τ᾽
ἀπὸ
γῆς
ἐς
Τάρταρον
ἠερόεντα.
153.
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153 f.
τοῦ
νεκροδέγμονος : cp. Sept. 860
πάνδοκον
εἰς
ἀφανῆ
τε
χέρσον, Suppl. 157
τὸν
πολυξενώτατον
Ζῆνα
τῶν
κεκμηκότων. In Hom. Hymn v. 9, 17, 430, Hades is called
Πολυδέκτης and
Πολυδέγμων. Cp.
οἰστοδέγμονα
θησαυρόν Pers. 1020. –
ἀπέραντον : see 1078.
δεσμοῖς
πελάσας : " and had put me in bonds there as here." For the expression
δεσμοῖς
πελάσας cp. Eur. Alc. 229
βρόχῳ
δέρην
οὐρανίῳ
πελάσσαι, also
ΙΙ.
ν. 766
κακῆς
ὀδύνῃσι
πελάζειν.
156.
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156.
μήτε
τις
ἄλλος: Prometheus shrinks from the mention of man- kind. For the position of ris see on
165. 21.- Nothing, to the unfortunate, is so hard to bear as the malicious exultation of their enemies.
Ср. Il. iii. 51; vi. 82; x. 193; Hesiod O. D. 701, Aesch. Pers. 1034, Soph. Ai. 382, Ant. 647, Eur. Med. 383.
157.
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157.
ὡς . . .
ἐπεγήθει: cp. 749; Cho. 195
εἴθ᾽
εἶχε
φωνὴν ...
ὅπως
δίφροντις
οὖσα
μὴ
᾿κινυσσόμην. GMT. 333.
ἐπι-
γηθεῖν, like
ἐπιχαίρειν (cp. 158
ἐπί-
χαρτα, 160
ἐπιχαρῆ) signifies
τὸ
συν-
επιγελᾶν
τοῖς
ἀλλοτρίοις
κακοῖς.
158.
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158.
κίνυγμα: Eustathius on Il. iv. 281 says,
τοῦ
δὲ
κινύω
αὖθις
παράγω-
γον
τὸ
κινύσσω·
ἐξ
οὗ
παρ᾿
Αἰσχύλῳ
αἰθέριον
κίνυγμα,
τὸ
ἀέριον
εἴδωλον. It is formed like
αἴθυγμα from
αἰθύσσω,
αἴνιγμα from
αἰνίττομαι. Cp. Cho. 196
ἐκινυσσόμην, might be driven this way and that, might waver.
αἰθέριον
κίνυγμα (oscillum) is a thing waving in
mid-air. It applies to Prometheus in that he hangs in the open air with nothing for his feet to rest on.