Aeschylus Prometheus Bound 295.app-295-2

ed. Gottfried Hermann

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Prometheus Bound. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.

Current edition Experimental

Critical apparatus to Prometheus Bound (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Προμηθεὺς Δεσμώτης First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 195-398 focus
Προμηθεὺς δεσμώτης Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 196-398 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Guilielmus Dindorfius, 1882.) — 300 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Gottfried Hermann, 1852.) — 300 focus
ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ (OCR draft) Experimental (ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ. Paul Mazon, 1920-1925.) — 300 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. N. Wecklein, 1885.) — 300 focus
ἔα, τί χρῆμα; καὶ σὺ δὴ πόνων ἐμῶν
ἥκεις ἐπόπτης; πῶς ἐτόλμησας, λιπὼν
315
ἐπώνυμόν τε ῥεῦμα καὶ πετρηρεφῆ
αὐτόκτιτ᾽ ἄντρα, τὴν σιδηρομήτορα
ἐλθεῖν ἐς αἶαν; ἢ θεωρήσων τύχας
ἐμὰς ἀφῖξαι καὶ συνασχαλῶν κακοῖς;
δέρκου θέαμα, τόνδε τὸν Διὸς φίλον,
320
τὸν συγκαταστήσαντα τὴν τυραννίδα,
οἵαις ὑπ᾽ αὐτοῦ πημοναῖσι κάμπτομαι.
Aeschyli Prometheus Vinctus (OCR draft) Experimental (Aeschyli Prometheus Vinctus. Ulrich von Wilamowitz-Moellendorff, 1914.) — 300 focus
Translations (8)
Prometheus Bound Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 196-395 focus
Prometheus Bound. (OCR draft) Experimental (Prometheus Bound.. Theodore Alois Buckley, 1849.) — 300 focus
Hah! what means this? and hast thou too come to be a witness of my pangs? How hast thou ventured, after quitting both the stream that bears thy name, and the rock-roofed self-wrought grots, to come into the iron-teeming land? Is it that you may contemplate my misfortunes, and as sympathising with my woes that thou hast come? Behold a spectacle, me here the friend of Jupiter, that helped to establish his sovereignty, with what pains I am bent by him.
PROMÉTHÉE ENCHAINÉ (OCR draft) Experimental (PROMÉTHÉE ENCHAINÉ. Paul Mazon, 1920-1925.) — 300 focus
Quoi ? tu viens donc aussi assister à mon
supplice ? Comment as-tu osé quitter le fleuve qui te doit
Prometheus Chained (OCR draft) Experimental (Prometheus Chained. Robert Potter, 1779.) — 300 focus
Ah me! What draws thee hither? Art thou come
Spectator of my toils? How haſt thou ventur'd
To leave the ocean waves, from thee ſo call'd,
Thy rockroof'd grottos arch'd by nature's hand,
And land upon this ironteeming earth?
310
Comeſt thou to viſit and bewail my ills?
Behold this ſight, behold this friend of Jove,
Th' aſſertor of his empire, bending here
Beneath a weight of woes by him inflicted.
Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 300 focus
Ha cuor di ferro, o Prometèo, tagliato
285
è nella roccia, chi pietà non sente
dei mali tuoi! Veduti, oh!, non li avessi :
or che li ho visti, tutto il cuor mi duole.
Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 300 focus
Age quid negotij est, tu iam meos labores
Spectatum venis? quomodo ausus es relinquere
305
A' te denominatum fluctum, & petris tectas
Proprias latebras, ferriparamq;
Venire in terram? num speculaturus fortunas
Meas appulisti, & condolens malis?
Inspice spectaculum, hunc Iovis amicum,
310
Constituentem tyrannidem,
Quibus doloribus ab ipso afficior.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Prometheus Bound — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 300 focus
Ho, what a sight of marvel! what, thou too
Comest to contemplate my pains, and darest—
(Yet how, I wot not!) leaving far behind
The circling tide, thy namefellow, and those
Rock-arched, self-hollowed caverns—thus to come
340
Unto this land, whose womb bears iron ore?
Art come to see my lot, resent with me
The ills I bear? Well, gaze thy fill! behold
Me, friend of Zeus, part-author of his power—
Mark, in what ruthlessness he bows me down!
345
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 300 focus
Ha, was erblick' ich? Kommst auch du, mein Leid zu schau'n?
Wie mochtest du des gleichgenannten Stromes Quell,
300
Wie deine Felsengrotten, die du selbst gewölbt,
Verlassen, und im Mutterland des Eisens hier
Erscheinen? Oder kamest du, mein Mißgeschick
Selbst anzusehen, mitzufühlen meine Pein?
O sieh' ein Schauspiel, siehe mich, den Freund des Zeus,
305
Der ihm verbündet bauen half den Königsthron,
Sieh', unter welchen Qualen er mich niederbeugt!

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

295. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-326

γνώσει δὲ τάδ᾽: Libri
γνώσῃ
. Athenaeus IV. p. 165. C.
τὸ δὲ χαριτογλωσσεῖν Αἰσχύλος εἴρηκεν ἐν Προμηθεῖ δεσμώτη, γνώσει τάδ᾽ ὡς ἔτυμ', οὐδὲ μάτην χαριτογλωσσεῖν ἔνι μοι
, ubi codices
ἔτημα
et
ἔτοιμα
. Vt Athenaeus, sic etiam G. Vit. Lips. 1.
δὲ
omittunt.

295. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-327

ἔτυμ':
ἔτυμ'
Μ. et superscripto
η
Vit.
ἐτήτυμα
Lips. 1.
ἐτύτημα
G.
ἐτύπημα
, adscripto
ν
super
η
, Ligs. 2. Aug.

295. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-328

οὐδὲ:
οὐ μάτην
Vit.
κοὐ μάτην
Lips. 1.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

193-396. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-145

1
2
193-396. First Episode. 193- 283. First Scene: Prometheus and the Coryphaeus. The scholiast says: τὴν ὑπόθεσιν (that is, the expo- sition of the events supposed to pre- cede the opening of the play) βουλό- μενος διδάξαι, τὸ περίεργον (curiosity) τοῦ γυναικώδους ήθους προσέλαβεν (availed himself of, as a motive). οὐκ ἂν γὰρ ὁ ᾿Ὠκεανds (who enters later) ἠξίωσεν ἐρωτῆσαι εἰδώς. The curiosity of the chorus is a natural conse- quence of their awakened sympathy. Still it is to be observed that Prome- theus on his part is moved to tell his story by the longing to unburden his heart to sympathizing friends (see 198). He needs only the request in order to comply at once. - The Pro- logue and this first scene of the first episode constitute the first act of the drama, which expounds the situation and prepares the way for the follow- ing dramatic development.

284-396. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-203

3
4
284-396. Second Scene of the First Episode. Oceanus, father of the Oceanids, enters (from the right), mounted upon a winged steed (τετρασκελής οἰωνός 395) like 285. 290 Pegasus. The scholiast understands a griffin, because of this word οἰωνός, but sea-gods, in older Greek art, are often seen riding on hippocamps or sea-horses. The machine here used was the αἰώρημα, a sort of crane with hanging ropes, by which persons could be swung aloft, moved through the air, and let down again. The scholiast remarks, καιρὸν δίδωσι τῷ χορῷ καθήκασθαι (καθιμᾶσθαι ?) τῆς μηχανῆς ᾿Ὠκεανὸς ἐλθών· ὑπερβολῇ δὲ ἐχρήσατο, ὅπου γε Ὅμηρος οὐκ εἰσήγα- γεν ᾿Ὠκεανὸν εἰς τὸν σύλλογον τῶν θεῶν (on this cp. Il. xx. 7 οὔτε τις οὖν Ποταμῶν ἀπέην νόσφ᾽ ᾿Ὠκεανοῖο). The anapaests of Oceanus accompany the descent of the chorus from their chariot into the orchestra. - This scene and the second episode form the second act, the beginning of the action which leads to the catastrophe. See on 307 and 436.