Aeschylus Prometheus Bound 115.app-115-1

ed. Gottfried Hermann

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Prometheus Bound. Aeschylus. ed. Gottfried Hermann. Lipsiae. 1852.

Current edition Experimental

Critical apparatus to Prometheus Bound (OCR draft) (Latin) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Προμηθεὺς Δεσμώτης First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 128-194 focus
Προμηθεὺς δεσμώτης Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 128-195 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Guilielmus Dindorfius, 1882.) — 114 focus
ἆ ἆ,
τίς ἀχὼ, τίς ὀδμὰ προσέπτα μ᾽ ἀφεγγὴς,
115
θεόσυτος, ἢ βρότειος, ἢ κεκραμένη;
τίς ἵκετ᾽ αἴας τερμόνειον ἐπὶ πάγον
πόνων ἐμῶν θεωρὸς, ἢ τί δὴ θέλων;
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Gottfried Hermann, 1852.) — 114 focus
ἔα ἔα.
τίς ἀχώ, τίς ὀδμὰ προςέπτα μ' ἀφεγγής;
115
θεόσυτος ἢ βρότειος ἢ κεκραμένη;
ἵκετο τερμόνιον ἐπὶ πάγον
πόνων ἐμῶν θεωρός, ἢ τί δὴ θέλων;
ὁρᾶτε δεσμώτην με δύςποτμον θεόν,
τὸν Διὸς ἐχθρόν, τὸν πᾶσι θεοῖς
120
ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ (OCR draft) Experimental (ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ. Paul Mazon, 1920-1925.) — 114 focus
Α α, ἔα ἔα,
τίς ἀχώ, τίς ὀδμὰ
115
προσέπτα μ' ἀφεγγής ;
θεόσυτος, ἢ βρότειος, ἢ κεκραμένη ;
ἵκετο τερμόνιον ἐπὶ πάγον
πόνων ἐμῶν θεωρός, ἢ τί δὴ θέλων ;
Ὁρᾶτε δεσμώτην με δύσποτμον θεόν,
120
τὸν Διὸς ἐχθρόν, τὸν πᾶσι θεοῖς
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. N. Wecklein, 1885.) — 114 focus
Aeschyli Prometheus Vinctus (OCR draft) Experimental (Aeschyli Prometheus Vinctus. Ulrich von Wilamowitz-Moellendorff, 1914.) — 114 focus
ἀἀ ἔα ἔα.
τίς ἀχώ, τίς ὀδμὰ προσέπτα μ᾿ ἀφεγγής;
115
θεόσυτος ἢ βρότειος ἢ κεκραμένη;
τερμόνιον ἵκετ᾽ ἐπὶ πάγον πόνων ἐμῶν
Translations (9)
Prometheus Bound Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 128-195 focus
Prometheus Bound. (OCR draft) Experimental (Prometheus Bound.. Theodore Alois Buckley, 1849.) — 114 focus
Hah! what sound, what ineffable odour
hath been wafted to me, emanating from a god, or from mortal, or of some intermediate nature? Has there come any one to the remote rock as a spectator of my sufferings, or with what intent
! Behold me an ill-fated god in durance, the foe of Jupiter,
PROMÉTHÉE ENCHAINÉ (OCR draft) Experimental (PROMÉTHÉE ENCHAINÉ. Paul Mazon, 1920-1925.) — 114 focus
Voilà les fautes dont je paie la peine aux dieux, dans ces liens qui me clouent ici à la face du Ciel !
Animé.

Ah ! ah ! quel bruit, quel parfum invisible a volé jusqu'à moi ? Vient-il d'un dieu ? d'un homme ? d'un être tenant de tous deux ? A ce roc, frontière du monde, on vient donc contempler mes maux ? Ou bien que me veut-on ? Ah ! voyez enchaîné un dieu misérable !
Mélodrame.

C'est l'ennemi de Zeus, c'est celui qui a encouru la haine de tous les dieux qui fréquentent le palais
Prometheus Chained (OCR draft) Experimental (Prometheus Chained. Robert Potter, 1779.) — 114 focus
Ah me! what ſound, what ſoftly-breathing odour e
Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli (OCR draft) Experimental (Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.) — 114 focus
maestra fu d'ogni arte, ed util sommo.
130
Di tal misfatto pago il fio, nei lacci,
a cielo aperto, turpemente avvinto.
Si ode una soave musica lontana.
Ahimè, ahimè !
Che voce, che ineffabile fragranza
alïa verso me,
135
di Nume, d'uomo, o d'ambedue commista ?
Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 114 focus
Heu heu.
120
Quæ uox, quis odor mihi obſcurus accidit:
Aut diuinâ, aut mortalis, aut mixta,
Venit ad ultimum saxum,
Meos labores ſpeculatúra, aut quid uolens?
Videte uinctum me, infælicem deum,
125
Iouis inimicum, & cum omnibus dijs
Prometheus Bound (OCR draft) Experimental (Prometheus Bound. Anna Swanwick, 1886.) — 115 focus
Chorus
Alas! Alas! Hold! Hold!
Never, oh never, had I thought
That words with such strange meaning fraught
Would reach mine ears,

Nor yet that sorrows, insults, fears,
1
Dreadful to hear and dreadful to behold
Would chill my soul with two-edged goad.
Ah, me!
Fate! Fate! I shudder Io's plight to see.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Prometheus Bound — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 114 focus
[ A pause.
Listen! what breath of sound, what fragrance soft hath risen
Upward to me? is it some godlike essence,
Or being half-divine, or mortal presence?
Who to the world's end comes, unto my craggy prison?
130
Craves he the sight of pain, or what would he behold?
Gaze on a god in tortures manifold,
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 114 focus
Horch, horch!
Was scholl? Welcher Duft weht von dorther unsichtbar
Mich an? Von Göttern? Menschen? Oder beider Art?
115
Kam zu dem äußersten Felsen ein Fremdling, 1
Mein Leid zu schauen? Oder was verlangt er sonst?
O seht in Fesseln mich, den unglücksel'gen Gott,

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

114-115. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-115

NA: In Lips.
ἔα. ἔα. ἔα. ἔα. τίς ἀχώ. τίς ὀδμά
. ab alia, ut videtur, manu in fine praecedentis versus post
πασσαλευτός
addita sunt, omissis
προσέπτα μ' ἀφεγγὴς θεόσυτος
. Eadem omissa in Aug. in quo priora sic scripta sunt,
ἔα. ἔα. ἔα. τίς ἀχώ. τίς ὀδμά
. Recte scholiastae
ἐκπλήξεως ἐπιρρήματα. ἐπιρρήματα ἐκπληκτικά
. Quorum
ἔα ἔα
rei subitae mirationem,
ἔα ἔα
quid secuturum sit exspectationem significat. Vehementer commoveri Prometheum, ubi illa in solitudine aliquem ad se accedere sentit, per se patet. Itaque hic unicus est in hac tragoedia locus, in quo Prometheum pauca videmus liberioribus numeris exclamare. In ceteris quae loquitur omnibus summam servat gravitatem, aut iambis, aut, quum indignatione corripitur, anapaestis utens,

115. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-116

NA: Quis credat quaesitum esse quid oluerint Oceanides? Ambrosiam spirare putabat Schützius, odorem qualis esset deorum marinorum Jacobsius in Museo Attico vol. III. p. 403. Neutrum qualis sit intelligas. Ambrosium enim ipsum nomen non mortalium, sed deorum esse indicat: hic vero qui est? Non magis dicas quid dii marini redoleant, nisi valde diversum ab eo quod
νέποδες καλῆς ἁλοσύδνης
apud Homerum. Satis est meminisse, qui vitam sub dio agant, sensibus uti acrioribus, eoque facile vel levi aurae motu adventum alicuius percipere naribus.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

1-127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-1

1
2
1-127: Prologue (πρόλογος).

88-127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-69

3
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88-127. Second Scene. Pro- metheus alone. With this invocation of the elements cp. Il. iii. 277 ἠέλιός θ' ὃς πάντ᾽ ἐφορᾶς καὶ πάντ᾽ ἐπακούεις, καὶ ποταμοὶ καὶ γαῖα, Soph. Phil. 936& λιμένες, ὦ προβλῆτες, ὦ ξυνουσίαι θηρῶν ὀρείων, ὦ καταρρῶγες πέτραι, ὑμῖν τάδ', οὐ γὰρ ἄλλον οἶδ᾽ ὅτῳ λέγω, ἀνακλαίομαι. Apsines (Rhet. Gr. ed. Spengel I. p. 400) says: κινεῖ δὲ ἔλεον καὶ λόγος πρὸς τόπον τινὰ γινόμενος.

115. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-90

5
6
115. The bacchic rhythms express surprise and amazement. ·ὀδμά: an odor of the sea is supposed to pre- cede the nymphs, in whose costume seaweed, shells, etc., may well have been prominent. Cp. Eur. Hipp. 1391 ἔα· ὦ θεῖον ὀδμῆς πνεῦμα·... ἔστ᾽ ἐν τόποισι τοισίδ᾽ ῎Αρτεμις θεά, Verg. Aen. i. 403 ambrosiaeque comae di- vinum vertice odorem spira- vere. - προσέπτα: cp. Plaut. Amphitr. 325 vox mi ad auris advo- lavit. The verb, in a somewhat different sense, is joined with the da- tive in 555 and 644. – ἀφεγγής: (here nearly = ἀφανής) is, by a figure com- mon in the poets, connected with ἀχώ and ὀδμά, whereas it is properly an epithet of the object from which they emanate. - For the situation cp. Soph. Phil. 203 προυφάνη κτύπος βάλλει μ᾽ ἐτύμα φθογγά του.