Aeschylus Prometheus Bound 114

Ettore Romagnoli (Translator)

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maestra fu d'ogni arte, ed util sommo.
130
Di tal misfatto pago il fio, nei lacci,
a cielo aperto, turpemente avvinto.
Si ode una soave musica lontana.
Ahimè, ahimè !
Che voce, che ineffabile fragranza
alïa verso me,
135
di Nume, d'uomo, o d'ambedue commista ?

Prometheus Bound. Aeschylus. Ettore Romagnoli (Translator). Bologna. 1922.

Sponsored by Perseus Project, Tufts University.

Funding provided by Schmidt Sciences.

Current edition Experimental

Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli (OCR draft) (Italian) (Eschilo, Prometeo legato: traduzione italiana di Ettore Romagnoli. Ettore Romagnoli, 1922.)

Provisional text from uncorrected OCR; expect errors.

Editions (7)
Προμηθεὺς Δεσμώτης First1KGreek (Aeschyli Tragoediae. Sidgwick, Arthur, editor. Oxford: Clarendon Press, 1902.) — 128-194 focus
Προμηθεὺς δεσμώτης Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, editor. London; New York: William Heinemann; G.P. Putnam's Sons, 1922.) — 128-195 focus
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Guilielmus Dindorfius, 1882.) — 114 focus
ἆ ἆ,
τίς ἀχὼ, τίς ὀδμὰ προσέπτα μ᾽ ἀφεγγὴς,
115
θεόσυτος, ἢ βρότειος, ἢ κεκραμένη;
τίς ἵκετ᾽ αἴας τερμόνειον ἐπὶ πάγον
πόνων ἐμῶν θεωρὸς, ἢ τί δὴ θέλων;
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. Gottfried Hermann, 1852.) — 114 focus
ἔα ἔα.
τίς ἀχώ, τίς ὀδμὰ προςέπτα μ' ἀφεγγής;
115
θεόσυτος ἢ βρότειος ἢ κεκραμένη;
ἵκετο τερμόνιον ἐπὶ πάγον
πόνων ἐμῶν θεωρός, ἢ τί δὴ θέλων;
ὁρᾶτε δεσμώτην με δύςποτμον θεόν,
τὸν Διὸς ἐχθρόν, τὸν πᾶσι θεοῖς
120
ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ (OCR draft) Experimental (ΠΡΟΜΗθΕΥΣ ΔΕΣΜΩΤΗΣ. Paul Mazon, 1920-1925.) — 114 focus
Α α, ἔα ἔα,
τίς ἀχώ, τίς ὀδμὰ
115
προσέπτα μ' ἀφεγγής ;
θεόσυτος, ἢ βρότειος, ἢ κεκραμένη ;
ἵκετο τερμόνιον ἐπὶ πάγον
πόνων ἐμῶν θεωρός, ἢ τί δὴ θέλων ;
Ὁρᾶτε δεσμώτην με δύσποτμον θεόν,
120
τὸν Διὸς ἐχθρόν, τὸν πᾶσι θεοῖς
Προμηθεὺς Δεσμώτης (OCR draft) Experimental (Προμηθεὺς Δεσμώτης. N. Wecklein, 1885.) — 114 focus
Aeschyli Prometheus Vinctus (OCR draft) Experimental (Aeschyli Prometheus Vinctus. Ulrich von Wilamowitz-Moellendorff, 1914.) — 114 focus
ἀἀ ἔα ἔα.
τίς ἀχώ, τίς ὀδμὰ προσέπτα μ᾿ ἀφεγγής;
115
θεόσυτος ἢ βρότειος ἢ κεκραμένη;
τερμόνιον ἵκετ᾽ ἐπὶ πάγον πόνων ἐμῶν
Translations (8)
Prometheus Bound Perseus (Aeschylus, Volume 1. Smyth, Herbert Weir, translator. London; New York: William Heinemann; G.P. Putnam's Sons, 1922. (Modernized by Perseus.)) — 128-195 focus
Prometheus Bound. (OCR draft) Experimental (Prometheus Bound.. Theodore Alois Buckley, 1849.) — 114 focus
Hah! what sound, what ineffable odour
hath been wafted to me, emanating from a god, or from mortal, or of some intermediate nature? Has there come any one to the remote rock as a spectator of my sufferings, or with what intent
! Behold me an ill-fated god in durance, the foe of Jupiter,
PROMÉTHÉE ENCHAINÉ (OCR draft) Experimental (PROMÉTHÉE ENCHAINÉ. Paul Mazon, 1920-1925.) — 114 focus
Voilà les fautes dont je paie la peine aux dieux, dans ces liens qui me clouent ici à la face du Ciel !
Animé.

Ah ! ah ! quel bruit, quel parfum invisible a volé jusqu'à moi ? Vient-il d'un dieu ? d'un homme ? d'un être tenant de tous deux ? A ce roc, frontière du monde, on vient donc contempler mes maux ? Ou bien que me veut-on ? Ah ! voyez enchaîné un dieu misérable !
Mélodrame.

C'est l'ennemi de Zeus, c'est celui qui a encouru la haine de tous les dieux qui fréquentent le palais
Prometheus Chained (OCR draft) Experimental (Prometheus Chained. Robert Potter, 1779.) — 114 focus
Ah me! what ſound, what ſoftly-breathing odour e
Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii (OCR draft) Experimental (Aeschylus, Prometheus vinctus: versio Latina Ioannis Sanravii. Ioannes Sanravius, 1555.) — 114 focus
Heu heu.
120
Quæ uox, quis odor mihi obſcurus accidit:
Aut diuinâ, aut mortalis, aut mixta,
Venit ad ultimum saxum,
Meos labores ſpeculatúra, aut quid uolens?
Videte uinctum me, infælicem deum,
125
Iouis inimicum, & cum omnibus dijs
Prometheus Bound (OCR draft) Experimental (Prometheus Bound. Anna Swanwick, 1886.) — 114 focus
IO
I know not how I can deny your wish,
So in clear word all ye desire to know
That shall ye hear;—Yet am I shamed to tell

Wherefore on me, forlorn one, burst the storm
Heaven-sent and whence this form's disfigurement.
For evermore would nightly visions haunt
My virgin chambers, gently urging me
With soothing words ;—" O damsel, highly blest,
Why longer live in maidenhood when thee
Wait loftiest nuptials? For by passion's dart
Inflamed is Zeus for thee and fain would share
The yoke of Kypris. Spurn not thou, O child,
The couch of Zeus, but to the grassy mead

Of Lerna hie thee, to thy father's herds
And cattle-stalls, that so the eye of Zeus
From longing may find respite." By such dreams
From night to night still was I visited,
Unhappy one; till, taking heart at length,
My night-born visions to my sire I told.
Then he to Pytho many a herald sent
And to Dodona; seeking to be taught
How best, by deed or word, to please the gods.
But they returned, announcing oracles

Of riddling import, vague and hard to spell.
At length to Inachos came clear response,
By voice oracular commanding him
From home and father-land to thrust me forth,
At large to range, as consecrate to heaven,
Far as earth's utmost bounds. Should he refuse,
From Zeus would come the fiery thunderbolt,
And his whole race extirpate utterly.
Then yielding to such Loxian Oracles,
He drave me forth, and barred me from his home,
Against his will and mine; but, forcefully,

The curb of Zeus constrained him this to do.
Forthwith my shape and mind distorted were,
And horned, as ye behold me, goaded on
By gad-fly, keen of fang, with frenzied bounds
I to Kerchneias' limpid current rush'd,
And fount of Lerna. Then the earth-born herdsman,
Hot-tempered Argos, ever dogged my steps,
Gazing upon me with his myriad eyes. *
But him a sudden and unlooked-for fate
Did reave of life; but I, brize-tortured, still

Before the scourge divine am driven on
From land to land; the past thou hearest; now
If thou canst tell my future toils, say on,
Nor, pity-moved, soothe me with lying tales,
For garbled words, I hold, are basest ills.
English (E. D. A. Morshead, 1908) (OCR draft) Experimental (Aeschylus, Prometheus Bound — Morshead translation. Wikisource transcription; speech corresp and card milestones aligned to Smyth perseus-grc2.) — 114 focus
[ A pause.
Listen! what breath of sound, what fragrance soft hath risen
Upward to me? is it some godlike essence,
Or being half-divine, or mortal presence?
Who to the world's end comes, unto my craggy prison?
130
Craves he the sight of pain, or what would he behold?
Gaze on a god in tortures manifold,
German (J. J. C. Donner, 1854; OCR review) (OCR draft) Experimental (Aeschylos. Deutsch in den Versmaßen der Urschrift. Stuttgart: Hoffmann, 1854. Native Donner line citations, Smyth card correspondence, selected textual readings and metrical facsimiles. Remaining OCR differences and unattributed reading notes are documented in the linked review inventory.) — 114 focus
Horch, horch!
Was scholl? Welcher Duft weht von dorther unsichtbar
Mich an? Von Göttern? Menschen? Oder beider Art?
115
Kam zu dem äußersten Felsen ein Fremdling, 1
Mein Leid zu schauen? Oder was verlangt er sonst?
O seht in Fesseln mich, den unglücksel'gen Gott,

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

117. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-119

ἐπὶ πάγον: Constat hic versus ex dochmio et Cretico.
ἐπίπαγον
Lips.

118. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-120

ἐμῶν θεωρός:
ἡμῶν θεωρός
, cum rasura ante
ός
, Μ.

119. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-121

θεόν:
θεὸν
superscripto
ὢν
Lips.
θεῶν
Aug.

122. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-122

εἰςοιχνεῦσιν:
εἰσοιχνεῦσιν
Μ.
εἰσοιχνεῦσι
alii.
εἰσιχνεῦσιν
Lips. Aug.
εἰσιχνεῦσι
G. et alii. Eustathius p. 1483, 39.
ὅσοι τὴν Διὸς αὐλὴν οἰχνεῦσι
.

123. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-123

βροτῶν:
τῶν βροτῶν
codices nonnulli et Ald. Rob.
τὸν
solum G.

124. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-124

φεῦ φεῦ:
αἳ αἳ
Vind. 2. 4. Ask. A.
φεῦ φεῦ
ceteri libri, quod hic, ubi stupet potius quam dolet Prometheus, recte se habet.

124. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-125

κινάθισμα:
κινάθισμα
memorat Hesychius.

125. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-126

ἐλαφραῖς:
ἐλαφρᾶς
Μ.

128. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-127

φοβηθῇς:
φοβηθεὶς
, gravi accentu per circumflexum tramisso, Lips.
φοβηθείς
Aug.

128. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-128

ἥδε: Libri
ἥδε
. Scribendum
ὧδε
. Scholiastes ex antiquis et probis auctoribus
ὁ ρυθμὸς Ἀνακρεόντειός ἐστι κεκλασμένος πρὸς τὸ θρηνητικόν. ἐπεδήμησε γὰρ τῇ Αττικῇ Κριτίου ἐρῶν, καὶ ἠρέσθη
(libri
ἠράσθη
)
λίαν τοῖς μέλεσι τοῦ τραγικοῦ. ἐχρῶντο δὲ αὐτοῖς οὐκ ἐν παντὶ τόπῳ, ἀλλ᾽ ἐν τοῖς θρηνητικοῖς, ὡς καὶ Σοφοκλῆς Τυροῖ. ἔστι δὲ ταῦτα ὅμοια τῷ οὐδ᾽ αὖ μ' ἐάσεις μεθύοντ᾽ οἴκαδ᾽ ἀπελθεῖν
. Dixi de hoc metro in Elem. doctr. metr. p. 492. et ad Sophoclis Antig. 833.

129. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-129

ἁμίλλαις:
ἁμίλαις
Lips.

130. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-130

προςέβα:
προσέβα
, superscripto
η
, Lips.

131. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-131

μόγις:
μόλις
G. (sed hic
ι
a minio in
γ
mutato) et Ven. 3. Rob.

133-134. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-132

ἄντρων μυχόν:
ἄντρων μυχῶν
Lips. Aug. Omiserunt Turnebus
ἄντρων
, Canterus
μυχόν
.

134. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-133

μου:
με
pro
μου
Lips. Aug.

134. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-134

θεμερῶπιν:
θεμερῶπιν
Μ. a pr. manu et Victorius.
θερμερώπιν
Μ. a sec. manu et G. Aug. cum plerisque libris et Εtym. Μ. p. 447, 12.
θερμερώπην
Lips.
θερμωπὴν
Ask. C.
θερμῶπιν
Colb. 1.
θεμεῤῥῶπιν
Turn. V. Bentl. in epist. ad Millium p. 66. (516. ed. Lips.) Hesychius
θεμερῶπις, ἐρασμία αἰσχύνη
. Sic recte emendarunt. Idem
θεμερή, βεβαία, σεμνή, εὐσταθής. θεμερόν, σεμνόν, ἀφ' οὗ καὶ τὸ σεμνύνεσθαι θεμερύνεσθαι
, quod verbum Pollux VI. 185. comicum esse dicit. Pro radice horum vocabulorum sumendum est
θεμός
, quod significaverit positionem, h. e. motus in quietem mutationem: unde
θεμῶσαι
Ιl. IX. 486. 542. Hinc
θεμερός
sedatus, modestus, lenis, mitis est. Empedocles emendatus a Bentleio
Δῆρις θ' αἱματόεσσα καὶ Αρμονίη θεμερώπις
. Id ad mites maturitate fructus translatum in epigrammate quod in Brunckii Anal. vol. III. p. 189. est CXC. et in Appendice Anthol. Palat. 239.
Αττει θ᾽ ὑψίστῳ καὶ συνιέντι τὸ πᾶν, τῷ πᾶσιν καιροῖς θεμερώτερα πάντα φύοντι
. Welckero in Trilogia p. 25. omnium interpretum soli, credo, in mentem venit Oceanides maxima corporis parte nudas, ut in picturis, in orchestram esse demissas.

136. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-135

αἰαῖ, αἰαῖ:
αι
ter M. bis Lips. Aug.
οι
bis G.
αι
quater codex Par. B. et sic post Heathium editores.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

1-127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-1

1
2
1-127: Prologue (πρόλογος).

88-127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-69

3
4
88-127. Second Scene. Pro- metheus alone. With this invocation of the elements cp. Il. iii. 277 ἠέλιός θ' ὃς πάντ᾽ ἐφορᾶς καὶ πάντ᾽ ἐπακούεις, καὶ ποταμοὶ καὶ γαῖα, Soph. Phil. 936& λιμένες, ὦ προβλῆτες, ὦ ξυνουσίαι θηρῶν ὀρείων, ὦ καταρρῶγες πέτραι, ὑμῖν τάδ', οὐ γὰρ ἄλλον οἶδ᾽ ὅτῳ λέγω, ἀνακλαίομαι. Apsines (Rhet. Gr. ed. Spengel I. p. 400) says: κινεῖ δὲ ἔλεον καὶ λόγος πρὸς τόπον τινὰ γινόμενος.

117. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-92

5
6
117. The rhythm (dochmius and cretic) indicates painful emotion. The question "Who can it be" (115, 116) is followed by the conjecture that the person in question comes as an unwel- come spectator of his sufferings. The reason of this conjecture is suggested by the opening words, ἵκετο τερμόνιον ἐπὶ πάγον (“a cliff at the end of the world"). – ἵκετο : is he come; the sub- ject is the unknown newcomer; not θεωρός, which expresses the motive of the coming. - τερμόνιον: this adjective occurs only here: it is formed from τέρμων, while τέρμιος is from τέρμα.

118. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-93

7
8
118. ἢ τί δὴ θέλων : cp. Soph. Trach. 390 ἡμεῖς δὲ προσμένωμεν; ἢ τί χρὴ ποιεῖν;

119. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-94

9
10
119. ετάρο: said with reference to <ε θεωρός. The imperative has the sense of ὁρᾶν πάρα.

120. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-95

11
12
120 f. The iambi again give place to anapaests; see on 93. The speaker is outraged at the thought of becom- ing a spectacle for others; cp. 156. - πᾶσι θεοῖς δι᾽ ἀπεχθείας ἐλθόντα: cp. Eur. Hipp. 1164 δι᾽ ἔχθρας μῶν τις ἦν ἀφιγμένος, Phoen. 479 καὶ μὴ δι᾽ ἔχθρας τῷδε καὶ φόνου μολών, Η. F. 220 Μι- νύαισι πᾶσι διὰ μάχης μολών, Iph. Α. 1392 similarly, Androm. 416 πατρὶ τῷ σῷ διὰ φιλημάτων ἰών, Soph. Ant. 742 διὰ δίκης ἰὼν πατρί, Ar. Ran. 1412 οὐ γὰρ δι᾽ ἔχθρας οὐδετέρῳ γενήσομαι, [Plato] Theag. 130 b μοι δι᾽ ἀπεχθείας ἐν λόγοις τισὶν ἐγεγόνει. These com- binations of a verb of motion with διά arose from the local meaning of the preposition. Krüger I. § 68, 22, 2.

122. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-96

13
14
122. αὐλήν: cp. Od. iv. 74 Ζηνός που τοιήδε γ᾽ Ὀλυμπίου ἔνδοθεν αὐλή. εἰσοιχνεῦσιν : Ionic contraction, like πωλεύμεναι 645; used because οἰχνέω and πωλέομαι are epic words. Cp. Eur. Med. 422 ὑμνεῦσαι, Hipp. 167 ἀΰτευν, Ιph. Α. 789 μυθεῦσαι. Cp. also Ag. 942 δήριος (from the Ionic δῆρις).

124. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-97

15
16
124 ff. κινάθισμα: κίνημα πλήθους, Hesych. – οἰωνῶν : the chorus is now so near that Prometheus can distin- guish the sound of wings. - ἐλαφραῖς πτερύγων ῥιπαῖς: cp. Eur. Frg. 597 ταῖς ὠκυπλάνοις πτερύγων ῥιπαῖς. – ὑπο- συρίζει: this does not mean leniter stridet (Blomfield), but ὑπο- ex- presses the idea of accompaniment, as in ὑπάδειν, ὑποστεναχίζειν, ὑπορχεῖ- σθαι, ὑπηχεῖν, succinere.

127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-98

17
18
127. φοβερόν: see 156.

128-192. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-99

19
20
128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car (ὄχῳ πτερωτῷ 135, κραι- πνόσυτον θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127 (φοβερόν). - The ᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates forty-one by name, and adds πολλαί γε μέν εἶσι καὶ ἄλλαι, τρὶς γὰρ χίλιαί εἰσι τανύσφυροι Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls ' παροδικά, ὅτε λέγει (sc. ὁ χορός) δι᾽ ἣν αἰτίαν πάρεστιν.' - The rhythms ( ῥυθμὸς ᾿Ανακρεόντειός ἐστι κεκλασμένος πρὸς τὸ θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.

128. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-100

21
22
128. τάξις: said like στάσις Εum. 311 ὡς ἐπινωμᾷ στάσις ἁμά, Cho. 458 στάσις δὲ πάγκοινος ἅδ᾽ ἐπιρροθεῖ.

129. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-101

23
24
129. πτερύγων ἁμίλλαις : = πτέρυξιν ἁμιλλωμέναις. Cp. 147. The emula- tion is between the wings of the right and left sides of the car, which are imagined as striving to outdo one another. Cp. Soph. Ant. 1065 τροχοὺς ἁμιλλητῆρας ἡλίου.

131. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-102

25
26
131. μόγις: 'Quod se patri aegre persuasisse dicunt, ut iis commeatum daret, id e vetere sexus muliebris, vir- ginum inprimis disciplina iudican- dum. Sic paedagogus Antigones apud Euripidem (Phoen. 89) viam circumspicit, verens ne quis in publi- cum prodeuntem regis filiam vitu- peret' (Schütz). Cp. Suppl. 996 ὑμᾶς δ᾽ ἐπαινῶ μὴ καταισχύνειν ἐμὲ ὥραν ἐχούσας τήνδ᾽ ἐπίστρεπτον βροτοῖς, κτἑ. – παρειποῦσα: cp. Il. vi. 62; vii. 120 ὡς εἰπὼν παρέπεισεν ἀδελφειοῦ φρένας ἥρως αἴσιμα παρειπών. See also Il. i. 555, vi. 337, Hes. Theog. 90 μαλακοῖσι παραιφάμενοι ἐπέεσσιν. Grammatically παρειποῦσα can be taken with τάξις, 130. 135. our maiden s mydeply of grave infert but in thought it stands as if ἐγὼ προσέβην had preceded. See on 201.

132. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-103

27
28
132. κραιπνοφόροι αύραι: that is, "and I came with great haste."

133. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-104

29
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133. ἐκ δ᾽ ἔπληξε: δέ is often put between preposition and verb (tme- sis). Krüger II. § 68, 48, 1. ἐξέπληξε, here and 360, is not wholly figurative, but is chosen with reference to the actual nature of the cause (here the blows). Cp. 370; Ag. 480 φλογὸς παρ- αγγέλμασιν νέοις πυρωθέντα καρδίαν.

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134. θεμερώπιν: Empedocles 23 Δῆρις δ᾽ αἱματόεσσα καὶ ῾Αρμονίη θεμε- ρώπις. Hesychius interprets θεμερῶπις (αἰδώς)· ἐρασμία αἰσχύνη, but this is inexact, for θεμερός (from the root 06-) means settled, tranquil, sedate; cp. Hesych. θεμερή· βεβαία, σεμνή, εὐστα- θής; also the words θέμα, θέμεθλον, θεμοῦν. Accordingly θεμερῶπις αἰδώς is the modesty which makes maidens quiet and sedate. Its opposite is im- plied in σύθην ἀπέδιλος.

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135. σύθην: the tragedians omit the syllabic augment not infrequently in lyric passages and in the narratives of messengers. The temporal aug- ment is much less often omitted; yet
see ἐρέθισε 181. – ἀπέδιλος: the scholi- ast cites Hesiod O. D. 345 γείτονες ἄζωστοι ἔκιον. Cp. Soph. El. 871 ὑφ' ἡδονῆς τοι, φιλτάτη, διώκομαι τὸ κόσμιον μεθεῖσα σὺν τάχει μολεῖν, Theocr. Id. xix. 36 ἄνστα μηδὲ πόδεσσιν ἐοῖς ὑπὸ σάνδαλα θείης (Bion i. 19 & δ' ᾿Αφροδίτα λυσαμένα πλοκαμίδας ἀνὰ δρυμὼς ἀλά- ληται πενθαλέα νήπαστος ἀσάνδαλος), Apoll. Rhod. iv. 43 γυμνοῖσιν δὲ πό- δεσσιν ἀνὰ στεινοὺς θέεν οἴμους (said of Medea). - ὄχῳ πτερωτῷ: winged chariots are not rare in ancient art: cp. for instance Müller-Wieseler, Denkmäler der alten Kunst, Vol. II. Plate ix. n. 110, Plate x. п. 111, 112, where Triptolemus is seen mounted on a car furnished with swan's wings.