Aeschylus Prometheus Bound 687

Prometheus Bound. Aeschylus. . 2026.

Current edition Experimental

Provisional text from uncorrected OCR; expect errors.

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

657. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-742

ἔςτε:
ὥστε
Vit.

658. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-743

νυκτίφοιτ':
νυκτίφαντ'
Μ. Rob.

659. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-744

κἀπὶ Δωδώνης:
κἀπὶ Δωδώνην
Lips. Aug. Turn.
κἀπὶ Δωδώνης
M. G. Vit. aliique et Ald. Rob. atque aliquot libri Thomae M. qui p. 180, 11. hunc versum et partem sequentis affert. Atticam hanc constructionem vocant schol. ad Il. III. 5. V. 700. Eustathius p. 371. seq.

659. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-745

πυκνοὺς:
συχνούς
, vulgare verbum, Arund. et Thomas M.

660. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-746

ἴαλλεν:
ἴαλεν
G. Vit. aliique et Ald. Rob.

660. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-747

μάθοι:
μάθοι
M. Lips. Aug. Turn. In Lips.
η
superscriptum.
μάθῃ
G. Vit. aliique et Ald. Rob.

661. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-748

δαίμοσιν:
δαίμοσι
Vit. edd. vett.

661. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-749

πράσσειν:
πράσσειν
M. Vit. Par. C. et superscriptum in Par. Β.
πράττειν
G. Lips. edd. vett.
πτάτο.τειν
Aug.

661. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-750

φίλα:
φίλωι
(non φίλως), superscripto a recentiore manu
α
, Μ. Α
φίλα
vulgata scriptura est.
φίλον
G. Lips. Aug. Vind. 2. 4. In Lips. superscriptum
α
.

663. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-751

ἀσήμους:
ἀσήμους
Μ. (si recte adnotatum ex M.) G. Vit. aliique et Rob.
ἀσήμως
Lips. Aug. Ald. Turn.

663. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-752

δυςκρίτως τ':
δυςκρίτως τ'
M. G. Lips. Aug. aliique et Ald. Turn.
δυςκρίτως
Vit.
δυσκρίτους τ'
Par. C. Rob.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

561-886. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-375

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561-886. Third Episode. Io and Prometheus. The myth of Io is connected with that of Prometheus by the person of Heracles, the libera- tor of Prometheus, who is descended from paphus, the son of Zeus and Io (see on 774). The appearance of Io therefore prepares the way for the introduction of Heracles in the Προ- μηθεὺς λυόμενος. But the immediate significance of this scene consists in the present relation of Zeus and Io. Io appears as innocent and yet perse- cuted; her sufferings, superficially considered, put Zeus in the worst possible light. Accordingly the in- dignation of Prometheus rises more and more, till at last, carried away by passion, he vaunts his secret in such terms that the interposition of Zeus becomes inevitable. So the transition to the catastrophe is pre- pared. The geographical part of this episode, with its description of marvels, like the scene of Heracles in the Προμηθεὺς λυόμενος (see below, Frg. VII. and VIII.), doubtless had a peculiar charm for the Athenians of the period. On the origin of the myth of Io, see Introd. p. 9, footnote. Io appears as a horned maiden (588, 674; so indi- cated by her mask). In early Greek art, especially in vase-paintings, she has the figure of a cow outright. On the throne of the Amyclaean Apollo, a work of the sculptor Bathycles (about Ol. 60), Hera was represented as glaring at Io, 'who is already a cow' (Paus. iii. 18. 7). On an archaic black-figured vase of the Munich collection (No. 573; see Panofka, Argos Panoptes, plate 5), Argus is seen, seated on the ground, a fero- cious figure with long hair and beard, and a huge eye in his shaggy breast; he holds in his hand a long cord, attached to the horns of a cow. Near by stands Hermes, grasping the cord near the horns with his left hand, and about to draw his sword with his right. Argus's dog
stands at bay in front of his master. Through the influence of this trag- edy, Io came later to be depicted in art as a maiden with horns. So, for instance, on a red-figured vase of the Berlin Museum (Panofka, l.c., plate 3). The stinging gadfly' of the legend (cp. Suppl. 306 BΑ. τί οὖν ἔτευξεν ἄλλο δυσπότμῳ βοΐ; ΧΟ. βοη- λάτην μύωπα κινητήριον, Verg. Georg. iii. 147 cui nomen asilo Ro- manum est, oestrum Graii vertere vocantes), which is mentioned in Io's narrative, 675 be- low, had also to be omitted in the scenic representation. The difficulty was met by a figurative conception of οἶστρος; the maddening sting was interpreted as the reminiscence of the crafty eye of Argos (567). — On account of the unusual manner of Io's entrance and exit, the anapaests which commonly accompany the ar- rival and departure of a personage are here and at 877 given to the actor, not to the chorus. So above, at the entrance of the chorus (120 ff.).

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657. Cp. Cho. 523 ἐκ τ᾽ ὀνειράτων καὶ νυκτιπλάγκτων δειμάτων πεπαλμένη.

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658 f. ἐπὶ Δωδώνης: towards Do- dona. ἐπί with gen. of general direc- tion or end in view, frequent in Homer (cp. Il. iii. 5) and Herodotus (cp. i. 1). With our passage cp. Eur. El. 1343 στεῖχ᾽ ἐπ᾿ ᾿Αθηνῶν, Thuc. i. 63 ὁποτέρωσε διακινδυνεύσει χωρήσας ἢ ἐπὶ τῆς Ὀλύνθου ἢ ἐς τὴν Ποτίδαιαν. G. 191, VI. 2, 1a; H. 799, 1, 6. – ἴαλλεν: an epic word.

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660. τί δρῶντ᾽ ἢ λέγοντα: this par- ticularization is a favorite one in Greek. Cp. the Homeric ἡ ἔπει ἢ ἔργῳ, ΙΙ. 1. 504. Especially appro-
priate in anxious inquiry of an ora- cle; cp. Soph. Ο. Τ. 70 ἐς τὰ Πυθικὰ ἔπεμψα Φοίβου δώμαθ᾽, ὡς πύθοιθ᾽, ὅ τι δρῶν ἢ τί φωνῶν τήνδε ῥυσαίμην πόλιν. Cp. also Cho. 316 τί σοι φάμενος ἢ τί ῥέξας, Pers. 174 μήτ᾽ ἔπος μήτ᾽ ἔργον, Eur. Hec. 372 μηδὲν ἐμποδὼν γένῃ λέγουσα μηδὲ δρῶσα, Phoen. 878 τί οὐ δρῶν, ποῖα δ᾽ οὐ λέγων ἔπη. – πράσ- σειν φίλα : = ἦρα φέρειν, χαρίζεσθαι. πράσσειν covers both δρᾶν and λέ- γειν.

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662. Synonymorum coacervatio non modo rem ipsam, scilicet ambigui- tatem oraculorum, auget atque exag- gerat, sed etiam commotum Ius animum ostendit' (Schütz). So below ἐναργὴς ... σαφῶς ἐπισκήπτουσα καὶ μυθουμένη.