Aeschylus Prometheus Bound 128

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Prometheus Bound. Aeschylus. . 2026.

Current edition Experimental

Provisional text from uncorrected OCR; expect errors.

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

129. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-129

ἁμίλλαις:
ἁμίλαις
Lips.

130. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-130

προςέβα:
προσέβα
, superscripto
η
, Lips.

131. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-131

μόγις:
μόλις
G. (sed hic
ι
a minio in
γ
mutato) et Ven. 3. Rob.

133-134. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-132

ἄντρων μυχόν:
ἄντρων μυχῶν
Lips. Aug. Omiserunt Turnebus
ἄντρων
, Canterus
μυχόν
.

134. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-133

μου:
με
pro
μου
Lips. Aug.

134. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-134

θεμερῶπιν:
θεμερῶπιν
Μ. a pr. manu et Victorius.
θερμερώπιν
Μ. a sec. manu et G. Aug. cum plerisque libris et Εtym. Μ. p. 447, 12.
θερμερώπην
Lips.
θερμωπὴν
Ask. C.
θερμῶπιν
Colb. 1.
θεμεῤῥῶπιν
Turn. V. Bentl. in epist. ad Millium p. 66. (516. ed. Lips.) Hesychius
θεμερῶπις, ἐρασμία αἰσχύνη
. Sic recte emendarunt. Idem
θεμερή, βεβαία, σεμνή, εὐσταθής. θεμερόν, σεμνόν, ἀφ' οὗ καὶ τὸ σεμνύνεσθαι θεμερύνεσθαι
, quod verbum Pollux VI. 185. comicum esse dicit. Pro radice horum vocabulorum sumendum est
θεμός
, quod significaverit positionem, h. e. motus in quietem mutationem: unde
θεμῶσαι
Ιl. IX. 486. 542. Hinc
θεμερός
sedatus, modestus, lenis, mitis est. Empedocles emendatus a Bentleio
Δῆρις θ' αἱματόεσσα καὶ Αρμονίη θεμερώπις
. Id ad mites maturitate fructus translatum in epigrammate quod in Brunckii Anal. vol. III. p. 189. est CXC. et in Appendice Anthol. Palat. 239.
Αττει θ᾽ ὑψίστῳ καὶ συνιέντι τὸ πᾶν, τῷ πᾶσιν καιροῖς θεμερώτερα πάντα φύοντι
. Welckero in Trilogia p. 25. omnium interpretum soli, credo, in mentem venit Oceanides maxima corporis parte nudas, ut in picturis, in orchestram esse demissas.

136. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-135

αἰαῖ, αἰαῖ:
αι
ter M. bis Lips. Aug.
οι
bis G.
αι
quater codex Par. B. et sic post Heathium editores.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

128-192. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-99

1
2
128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car (ὄχῳ πτερωτῷ 135, κραι- πνόσυτον θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127 (φοβερόν). - The ᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates forty-one by name, and adds πολλαί γε μέν εἶσι καὶ ἄλλαι, τρὶς γὰρ χίλιαί εἰσι τανύσφυροι Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls ' παροδικά, ὅτε λέγει (sc. ὁ χορός) δι᾽ ἣν αἰτίαν πάρεστιν.' - The rhythms ( ῥυθμὸς ᾿Ανακρεόντειός ἐστι κεκλασμένος πρὸς τὸ θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.

129. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-101

3
4
129. πτερύγων ἁμίλλαις : = πτέρυξιν ἁμιλλωμέναις. Cp. 147. The emula- tion is between the wings of the right and left sides of the car, which are imagined as striving to outdo one another. Cp. Soph. Ant. 1065 τροχοὺς ἁμιλλητῆρας ἡλίου.

131. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-102

5
6
131. μόγις: 'Quod se patri aegre persuasisse dicunt, ut iis commeatum daret, id e vetere sexus muliebris, vir- ginum inprimis disciplina iudican- dum. Sic paedagogus Antigones apud Euripidem (Phoen. 89) viam circumspicit, verens ne quis in publi- cum prodeuntem regis filiam vitu- peret' (Schütz). Cp. Suppl. 996 ὑμᾶς δ᾽ ἐπαινῶ μὴ καταισχύνειν ἐμὲ ὥραν ἐχούσας τήνδ᾽ ἐπίστρεπτον βροτοῖς, κτἑ. – παρειποῦσα: cp. Il. vi. 62; vii. 120 ὡς εἰπὼν παρέπεισεν ἀδελφειοῦ φρένας ἥρως αἴσιμα παρειπών. See also Il. i. 555, vi. 337, Hes. Theog. 90 μαλακοῖσι παραιφάμενοι ἐπέεσσιν. Grammatically παρειποῦσα can be taken with τάξις, 130. 135. our maiden s mydeply of grave infert but in thought it stands as if ἐγὼ προσέβην had preceded. See on 201.

132. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-103

7
8
132. κραιπνοφόροι αύραι: that is, "and I came with great haste."

133. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-104

9
10
133. ἐκ δ᾽ ἔπληξε: δέ is often put between preposition and verb (tme- sis). Krüger II. § 68, 48, 1. ἐξέπληξε, here and 360, is not wholly figurative, but is chosen with reference to the actual nature of the cause (here the blows). Cp. 370; Ag. 480 φλογὸς παρ- αγγέλμασιν νέοις πυρωθέντα καρδίαν.

134. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-105

11
12
134. θεμερώπιν: Empedocles 23 Δῆρις δ᾽ αἱματόεσσα καὶ ῾Αρμονίη θεμε- ρώπις. Hesychius interprets θεμερῶπις (αἰδώς)· ἐρασμία αἰσχύνη, but this is inexact, for θεμερός (from the root 06-) means settled, tranquil, sedate; cp. Hesych. θεμερή· βεβαία, σεμνή, εὐστα- θής; also the words θέμα, θέμεθλον, θεμοῦν. Accordingly θεμερῶπις αἰδώς is the modesty which makes maidens quiet and sedate. Its opposite is im- plied in σύθην ἀπέδιλος.

135. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-106

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14
135. σύθην: the tragedians omit the syllabic augment not infrequently in lyric passages and in the narratives of messengers. The temporal aug- ment is much less often omitted; yet
see ἐρέθισε 181. – ἀπέδιλος: the scholi- ast cites Hesiod O. D. 345 γείτονες ἄζωστοι ἔκιον. Cp. Soph. El. 871 ὑφ' ἡδονῆς τοι, φιλτάτη, διώκομαι τὸ κόσμιον μεθεῖσα σὺν τάχει μολεῖν, Theocr. Id. xix. 36 ἄνστα μηδὲ πόδεσσιν ἐοῖς ὑπὸ σάνδαλα θείης (Bion i. 19 & δ' ᾿Αφροδίτα λυσαμένα πλοκαμίδας ἀνὰ δρυμὼς ἀλά- ληται πενθαλέα νήπαστος ἀσάνδαλος), Apoll. Rhod. iv. 43 γυμνοῖσιν δὲ πό- δεσσιν ἀνὰ στεινοὺς θέεν οἴμους (said of Medea). - ὄχῳ πτερωτῷ: winged chariots are not rare in ancient art: cp. for instance Müller-Wieseler, Denkmäler der alten Kunst, Vol. II. Plate ix. n. 110, Plate x. п. 111, 112, where Triptolemus is seen mounted on a car furnished with swan's wings.