Aeschylus Prometheus Bound 121

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Prometheus Bound. Aeschylus. . 2026.

Current edition Experimental

Provisional text from uncorrected OCR; expect errors.

Commentary

Critical apparatus to Prometheus Bound (OCR draft) (Latin and Greek critical apparatus to Gottfried Hermann's 1852 edition of Prometheus Bound.) focus

122. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-122

εἰςοιχνεῦσιν:
εἰσοιχνεῦσιν
Μ.
εἰσοιχνεῦσι
alii.
εἰσιχνεῦσιν
Lips. Aug.
εἰσιχνεῦσι
G. et alii. Eustathius p. 1483, 39.
ὅσοι τὴν Διὸς αὐλὴν οἰχνεῦσι
.

123. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-123

βροτῶν:
τῶν βροτῶν
codices nonnulli et Ald. Rob.
τὸν
solum G.

124. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-124

φεῦ φεῦ:
αἳ αἳ
Vind. 2. 4. Ask. A.
φεῦ φεῦ
ceteri libri, quod hic, ubi stupet potius quam dolet Prometheus, recte se habet.

124. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-125

κινάθισμα:
κινάθισμα
memorat Hesychius.

125. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-126

ἐλαφραῖς:
ἐλαφρᾶς
Μ.

128. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-127

φοβηθῇς:
φοβηθεὶς
, gravi accentu per circumflexum tramisso, Lips.
φοβηθείς
Aug.

128. mvp-aeschylus-tlg0085-tlg003-hermann1852-appcrit-lat1-128

ἥδε: Libri
ἥδε
. Scribendum
ὧδε
. Scholiastes ex antiquis et probis auctoribus
ὁ ρυθμὸς Ἀνακρεόντειός ἐστι κεκλασμένος πρὸς τὸ θρηνητικόν. ἐπεδήμησε γὰρ τῇ Αττικῇ Κριτίου ἐρῶν, καὶ ἠρέσθη
(libri
ἠράσθη
)
λίαν τοῖς μέλεσι τοῦ τραγικοῦ. ἐχρῶντο δὲ αὐτοῖς οὐκ ἐν παντὶ τόπῳ, ἀλλ᾽ ἐν τοῖς θρηνητικοῖς, ὡς καὶ Σοφοκλῆς Τυροῖ. ἔστι δὲ ταῦτα ὅμοια τῷ οὐδ᾽ αὖ μ' ἐάσεις μεθύοντ᾽ οἴκαδ᾽ ἀπελθεῖν
. Dixi de hoc metro in Elem. doctr. metr. p. 492. et ad Sophoclis Antig. 833.

English commentary on Prometheus Bound (OCR draft) (N. Wecklein, translated by F. D. Allen. Ginn & Company, 1893; compared with the 1891 printing. Printed commentary pages 31–144. Provisional alignment and unresolved OCR are visibly flagged.) focus

1-127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-1

1
2
1-127: Prologue (πρόλογος).

88-127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-69

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4
88-127. Second Scene. Pro- metheus alone. With this invocation of the elements cp. Il. iii. 277 ἠέλιός θ' ὃς πάντ᾽ ἐφορᾶς καὶ πάντ᾽ ἐπακούεις, καὶ ποταμοὶ καὶ γαῖα, Soph. Phil. 936& λιμένες, ὦ προβλῆτες, ὦ ξυνουσίαι θηρῶν ὀρείων, ὦ καταρρῶγες πέτραι, ὑμῖν τάδ', οὐ γὰρ ἄλλον οἶδ᾽ ὅτῳ λέγω, ἀνακλαίομαι. Apsines (Rhet. Gr. ed. Spengel I. p. 400) says: κινεῖ δὲ ἔλεον καὶ λόγος πρὸς τόπον τινὰ γινόμενος.

122. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-96

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6
122. αὐλήν: cp. Od. iv. 74 Ζηνός που τοιήδε γ᾽ Ὀλυμπίου ἔνδοθεν αὐλή. εἰσοιχνεῦσιν : Ionic contraction, like πωλεύμεναι 645; used because οἰχνέω and πωλέομαι are epic words. Cp. Eur. Med. 422 ὑμνεῦσαι, Hipp. 167 ἀΰτευν, Ιph. Α. 789 μυθεῦσαι. Cp. also Ag. 942 δήριος (from the Ionic δῆρις).

124. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-97

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8
124 ff. κινάθισμα: κίνημα πλήθους, Hesych. – οἰωνῶν : the chorus is now so near that Prometheus can distin- guish the sound of wings. - ἐλαφραῖς πτερύγων ῥιπαῖς: cp. Eur. Frg. 597 ταῖς ὠκυπλάνοις πτερύγων ῥιπαῖς. – ὑπο- συρίζει: this does not mean leniter stridet (Blomfield), but ὑπο- ex- presses the idea of accompaniment, as in ὑπάδειν, ὑποστεναχίζειν, ὑπορχεῖ- σθαι, ὑπηχεῖν, succinere.

127. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-98

9
10
127. φοβερόν: see 156.

128-192. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-99

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12
128-192. Parodos. It is com- matic, that is, divided between actor and chorus. The chorus enter in a winged car (ὄχῳ πτερωτῷ 135, κραι- πνόσυτον θᾶκον 279), moved by the- atrical machinery. The car, advancing from the right side, has gradually approached Prometheus. It is seen by the spectators while still invisible to Prometheus, who can only look straight before him. At 124 the chorus are already very near, and they hear the words of 127 (φοβερόν). - The ᾿Ωκεανίδες are daughters of Oceanus and Tethys; see Hesiod Theog. 362. Hesiod (ibid. 346) enum- erates forty-one by name, and adds πολλαί γε μέν εἶσι καὶ ἄλλαι, τρὶς γὰρ χίλιαί εἰσι τανύσφυροι Ωκεανῖναι. Aes- chylus's chorus consisted of twelve persons. The first strophe gives the motive of the chorus for coming; this is what an unknown grammarian (in the hypothesis to the Persians) calls ' παροδικά, ὅτε λέγει (sc. ὁ χορός) δι᾽ ἣν αἰτίαν πάρεστιν.' - The rhythms ( ῥυθμὸς ᾿Ανακρεόντειός ἐστι κεκλασμένος πρὸς τὸ θρηνητικόν, Schol.) are in keeping with the sorrowful tone of the composition (see 144 ff.); they
are furthermore especially appropri- ate to a female chorus.

128. mvp-aeschylus-tlg0085-tlg003-wecklein-allen1893-com-eng1-100

13
14
128. τάξις: said like στάσις Εum. 311 ὡς ἐπινωμᾷ στάσις ἁμά, Cho. 458 στάσις δὲ πάγκοινος ἅδ᾽ ἐπιρροθεῖ.