Plato Republic 1.342

Paul Shorey (Translator)

Republic. Plato. Paul Shorey (Translator). Cambridge, MA. 1935-37.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Republic (English) (Plato in Twelve Volumes, Vol. 5-6. Shorey, Paul, translator. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1935-37 (printing).)

Editions (1)
Πολιτεία Perseus (Platonis Opera Tomus IV: Tetralogia VIII. Burnet, John, editor. Oxford: Clarendon Press, 1905.) — 1.342 focus

Notes on the current edition

Republic

1. The next step is the identification of (true) politics with the disinterested arts which also rule and are the stronger. Cf. Xenophon Memorabilia iii. 9. 11. γε emphasizes the argumentative implication of ἄρχουσι to which Thrasymachus assents reluctantly; and Socrates develops and repeats the thought for half a page. Art is virtually science, as contrasted with empiric rule of thumb, and Thrasymachus’s infallible rulers are of course scientific. Ruler is added lest we forget the analogy between political rule and that of the arts. Cf. Newman, Introduction Aristotle Politics 244, Laws 875 C.
2. It is not content with theoretic knowledge, but like other arts gives orders to achieve results. Cf. Politicus 260 A, C.

Commentary

Commentary on Plato, Republic (Plato. The Republic, Vol 1-2. Adam, James, editor. Cambridge: Cambridge University Press, 1902-1903.) focus

Πλάτωνος Πολιτεία . On the name, characters, and date of action of the dialogue, see Introd. §§ 1, 2, 3.

ἐπ’ αὐτοῖς . Hartman proposes ἔτ’ αὐτοῖς. αὐτοῖς (sc. ὀφθαλμοῖς, ὠσίν) may be emphatic (ipsis), and ἐπί, ‘over and above,’ ‘besides’: ‘we require in addition to the organs themselves, an art’ etc. But it is perhaps simpler to make ἐπί=‘ to preside over’: cf. ἐφ’ οἷς ἔστιν VI 511 E note

εἰς ταῦτα means εἰς ὄψιν καὶ ἀκοήν. The art in question considers what is advantageous with respect to ( εἰς) seeing and hearing.

ἐκποριούσης . See cr. n. ἐκποριούσης appears in three Florentine MSS. The present is difficult, if not impossible, in so close a union with the future: cf. X 604 A and VI 494 D. See Introd. § 5.

ἢ αὐτὴ ‐‐ σκέψεται ; This question (which is of course to be answered in the negative) shews the awkwardness of the reading of A in ἆρ’ οὖν—τελέαν εἶναι (341 D), which might almost be construed to mean that each art does seek its own συμφέρον, viz. the perfection of itself.

ἕωσπερ κτλ. : ‘that is, so long as an art, taken in its strict sense’ (“streng genommen” Schneider) ‘preserves its essence entire and unimpaired.’ The predicate is ὅλη ἥπερ ἐστί, and ἀκριβής = ἀκριβὴς οὖσα in the sense which ἀκριβής bears throughout this passage (341 B al.). Hartman's insertion of ἡ before ἀκριβής is unsatisfactory; his alternative proposal to change ἀκριβής to ἀκριβῶς spoils the emphasis, and gives a wrong sense.

ἐπιστήμη is here a synonym for τέχνη. All arts rule: and ruling is itself an art or science, not a happy inspiration (cf. Mem. III 6). Like other arts, ruling seeks only the good of that which it rules.

ὡμολόγηται γὰρ ‐‐ χρηματιστής . Ast compares Arist. Pol. A 9. 1258^{a} 10 ff. ἀνδρίας γὰρ οὐ χρήματα ποιεῖν ἐστιν ἀλλὰ θάρσος, οὐδὲ στρατηγικἧς καὶ ἰατρικῆς, ἀλλὰ τῆς μὲν νίκην, τῆς δ’ ὑγίειαν.

ᾧ ἂν ‐‐ βλέπων . ᾧ is of course ( τῷ) ὃ, and τῷ ἀρχομένῳ is also neuter (not masculine), like ἀρχομένου in D. Bremius took τῷ ἀρχομένῳ as masculine, and consequently changed (with inferior MS authority) πρὸς ἐκεῖνο into πρὸς ἐκεῖνον: he has been followed by Stallbaum and others. But as ᾧ must be neuter, it would be intolerable to make ἀρχομένῳ masculine, since both words (as denoting the same object) are covered by the same article, viz. τῷ before ἀρχομένῳ. ἐκείνῳ is of course neuter also.