Πλάτωνος Πολιτεία
. On the name, characters, and date of action of the dialogue, see
Introd. §§ 1, 2, 3.
ἀποδοτέον ‐‐ ἀπαιτοῖ
: ‘well, but we were not on any account to make restoration at the time when the claimant is’—according to the Greek idiom ‘was’ —‘mad.’ Socrates, as in
ὅπερ ἄρτι ἐλέγομεν, is appealing to the admissions made by the
πατὴρ τοῦ λόγου (in 331 C), as he is justified in doing when addressing his heir.
ὁπότε is not—as
τότε shews —the particle of ‘indefinite frequency,’ but stands for
ὅτε of the direct: the whole clause
τότε ὁπότε τις μὴ σωφρόνως ἀπαιτοῖ is thus in the
oratio obliqua of self-quotation and exactly corresponds to
εἰ μανεὶς ἀπαιτοῖ in 331 C. Madvig's
ἀπαιτεῖ for
ἀπαιτοῖ is therefore unnecessary. Goodwin
MT. p. 213 explains the optative otherwise, but not (I think) rightly.
ἀγαθὸν μέν τι δρᾶν
sc.
αὐτούς, for
τοῖς φίλοις depends on
ὀφείλειν, to which
τοὺς φίλους is the subject.
μανθάνω ‐‐ ὅτι
. ὅτι is ‘because,’ not ‘that,’ as always (I believe) in Plato's use of this phrase: cf.
Euthyph. 3 B
, 9 B and infra III 402 E, VIII 568 E. For the sentiment cf. (with J. and C.)
Xen.
Mem. IV 2 17
ff.
ὀφείλεται δέ
. See cr. n. In explanatory clauses of this kind
δέ and not
δέ γε is the correct usage: cf. infra 337 D, 344 A. I therefore follow Bekker in reading
δέ.
προσήκει
. ὀφειλόμενον has thus been equated with
προσῆκον by means of the special cases
τὸ τοῖς φίλοις ὀφειλόμενον and
τὸ τοῖς ἐχθροῖς ὀφειλόμενον. τὸ προσῆκον is a more general term and is the regular word in classical Greek for ‘proper conduct’ or ‘duty’ (as the Greeks conceived it), the Stoic
καθῆκον being very rarely used in this sense by good authors.
ᾐνίξατο ‐‐ ποιητικῶς
.
Theaet. 194 C
τὸ τῆς ψυχῆς κέαρ, ὃ ἔφη Ὅμηρος αἰνιττόμενος τὴν τοῦ κηροῦ ὁμοιότητα. The present passage is no more serious than that in the
Theaetetus: Plato knew that Simonides merely meant to say ‘it is just to render what you owe.’
ἀλλὰ τί ὄει
; is a rhetorical question, which needs and receives no answer, like
τί μήν; and
τί μὴν δοκεῖς; (
Theaet. 162 B
). It is equivalent to ‘of course.’ For the use of
τί Stallbaum compares
Gorg. 480 B
τί γὰρ δὴ φῶμεν; to which there is also no reply. This explanation is preferable to that of Madvig, who gives
ἀλλὰ τί οἴει to Socrates, and takes
ἔφη as equivalent to
συνέφη— a harsh usage in a narrated dialogue, and not likely to have been intended by Plato, because sure to be misunderstood. Liebhold's
ἄλλο τι οἴει; <οὐκ> ἔφη has everything against it.
ὦ πρὸς Διὸς κτλ.
‘In the name of heaven, said I, if any one then had asked him’ etc. ‘what reply do you think he would have made to us?’
ὦ before
πρὸς Διός is (as Schanz holds) an interjection, and does not require a vocative to follow it: cf.
Euthyd. 287 A
, 290 E. It is tempting (with Tucker) to take
ὦ πρὸς Διός as part of the address to Simonides (cf.
Euthyd. 294 B
ὦ πρὸς τῶν θεῶν, ἦν δ’ ἐγώ, ὦ Διονυσόδωρε—αὐτὼ τῷ ὄντι πάντα ἐπίστασθον). But on this view the presence of
εἰ οὖν—ἤρετο forms a difficulty, and
ὦ πρὸς Διός may very well go with
τί ἂν οἴει— ἀποκρίνασθαι.
ὀφειλόμενον καὶ προσῆκον
. It is characteristic of Plato to combine the thing explained and the explanation itself in this way: see my note on
Prot. 314 A
. Here
ὀφειλόμενον is necessary to enable Simonides to recognise his own saying.
ἰατρικὴ ‐‐ μαγειρική
. In
Gorg. 463 A
ff. Plato refuses the name of ‘art’ to
ὀψοποιική: it is but an
ἐμπειρία or
τριβή, a sort of bastard adjunct to
ἰατρική, as
κομμωτική is to
γυμναστική. Here, where less precision is required, both are regarded as
τέχναι.
εἶεν
according to Timaeus (
Lexicon s. v.) expresses
συγκατάθεσις μὲν τῶν εἰρημένων, συναφὴ δὲ πρὸς τὰ μέλλοντα. It rarely expresses
συγκατάθεσις (‘assent’) and no more: see on IV 436 C. The word was pronounced
εἶἑν with intervocalic aspiration (Uhlig in
Fl. Jahrb. 1880 pp. 790 ff.) and may possibly be a compound of
εἷα and
ἕν (used as in
ἓν μὲν τόδ’ ἤδη τῶν τριῶν παλαισμάτων
Aesch.
Eum. 589
).
εἶἑν is the usual orthography in Paris A, and has left some traces also in the Bodleian MS e.g.
Gorg. 466 C
.
τέχνη δικαιοσύνη
. The Socratic view that Justice is an art—a view that dominates the whole of the conversation w<*> Polemarchus—is thus introduced quite incidentally.
τὸ ‐‐ λέγει
. Cf. Xen.
Hiero II 2 (cited above on 331 E).
τί δέ; ὁ δίκαιος κτλ.
This punctuation throws more emphasis on
ὁ δίκαιος than
τί δὲ ὁ δίκαιος; which appears in some editions. It is therefore to be preferred in introducing the application of the two illustrations. So also below in 333 A
τί δὲ δή; τὴν δικαιοσύνην κτλ.
προσπολεμεῖν
explains
ἐχθροὺς βλάπτειν as
ξυμμαχεῖν explains
φίλους ὠφελεῖν. Ast's
προπολεμεῖν (a conjecture of Stephanus) would leave
ἐχθ<*>οὺς βλάπτειν unrepresented. Stephanus' conjecture was natural enough with the wrong reading
καὶ ξυμμαχεῖν, which Ast also followed. For
ἔμοιγε δοκεῖ
Hartman demands
ἔμοιγε δοκεῖν; but cf. 333 B,
Crito 43 D,
Phaed. 108 D
,
Menex. 236 B
. These cases shew that
δοκεῖ can be used without
ὡς: and
ἐμοὶ (
ἔμοιγε)
δοκεῖν does not occur in the
Republic (Grünenwald in Schanz's
Beitr. <*>ur hist. Synt. d. gr. Spr. II 3 p. 12).