Aristophanes Wealth 769

Wealth. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Πλοῦτος Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 771 focus
Translations (2)
Wealth (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 771 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 771 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

769. mvp-tlg0019-tlg011-sanjaya-com-eng1-21

Line 769

ὥσπερ νεωνήτοισιν ὀφθαλμοῖς ἐγώ.
The dative plural form νεωνήτοισιν (neōnētoisin) is a rare Doric dialectal variant of the Attic νεανίαις (neaniais, 'to young men') or more likely a dialectal rendering of νεωτερίστοις (neōteristois, 'to the newly initiated'), though in this context it functions as a specific reference to the 'newly initiated' (neōtoi) in the Eleusinian Mysteries. Aristophanes often exploits dialectal variation for comic effect, and here the Doric form may signal a specific social or ritual register, contrasting with the expected Attic phrasing for 'fresh eyes' or 'newly opened eyes.' The phrase alludes to the disorientation of initiates seeing the sacred objects for the first time, a metaphor for Chremylus's sudden enlightenment in the play.