Aristophanes Wealth 802

ed. F. W. Hall, ed. William M. Geldart

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Wealth. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1907.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Πλοῦτος (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.)

Translations (2)
Wealth (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 802 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 802 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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μύρου γέμουσι, τὸ δʼ ὑπερῷον ἰσχάδων.
The noun ἰσχάδων (genitive plural of ἰσχάς) is a rare and specifically comic term for 'fish' or 'small fry', often implying refuse or cheap food. Its use here creates a stark, grotesque contrast with μύρου (perfume) and highlights the satirical inversion of domestic expectations: the house is filled with the scent of luxury, yet the upper room (the private, intimate space) is stocked with the stench of fish guts or scraps, suggesting a household where appearance is meticulously maintained while reality is squalid.

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μῶν οὖν ἐμυήθης δῆτʼ ἐν αὐτῷ τὰ μεγάλα;
The perfect middle indicative ἐμυήθης (from μυέω) is here used in a transferred sense of 'became initiated' or 'was inducted' into a secret, rather than the standard ritual sense of initiation into the Eleusinian or Orphic mysteries. The adverb δῆτʼ adds a tone of incredulous surprise, implying that the speaker finds it astonishing the addressee has undergone such a profound, secret transformation in the very person present. This usage reflects the comedic exploitation of mystery-religion terminology to describe the transformative effect of the god Wealth on the blind man, a recurring motif in the play where 'initiation' parallels the restoration of sight and wealth.