Aristophanes Wealth 802

ed. Eugene O'Neill, Jr.

Wealth. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Wealth (OCR draft) (English) (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Πλοῦτος Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 802 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 802 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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μύρου γέμουσι, τὸ δʼ ὑπερῷον ἰσχάδων.
The noun ἰσχάδων (genitive plural of ἰσχάς) is a rare and specifically comic term for 'fish' or 'small fry', often implying refuse or cheap food. Its use here creates a stark, grotesque contrast with μύρου (perfume) and highlights the satirical inversion of domestic expectations: the house is filled with the scent of luxury, yet the upper room (the private, intimate space) is stocked with the stench of fish guts or scraps, suggesting a household where appearance is meticulously maintained while reality is squalid.

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μῶν οὖν ἐμυήθης δῆτʼ ἐν αὐτῷ τὰ μεγάλα;
The perfect middle indicative ἐμυήθης (from μυέω) is here used in a transferred sense of 'became initiated' or 'was inducted' into a secret, rather than the standard ritual sense of initiation into the Eleusinian or Orphic mysteries. The adverb δῆτʼ adds a tone of incredulous surprise, implying that the speaker finds it astonishing the addressee has undergone such a profound, secret transformation in the very person present. This usage reflects the comedic exploitation of mystery-religion terminology to describe the transformative effect of the god Wealth on the blind man, a recurring motif in the play where 'initiation' parallels the restoration of sight and wealth.