Aristophanes Ecclesiazusae 724

Ecclesiazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἐκκλησιάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 711 focus
Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 711 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 711 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

724. mvp-tlg0019-tlg010-sanjaya-com-eng1-23

Line 724

κατωνάκην τὸν χοῖρον ἀποτετιλμένας.
The phrase κατωνάκην τὸν χοῖρον ἀποτετιλμένας presents a striking syntactic and semantic tension. The participle ἀποτετιλμένας (perfect passive participle of ἀποτέλλω, 'to cut up' or 'to dismember') agrees with the implied subject (the women of the assembly), while the direct object is τὸν χοῖρον ('the pig'). However, the adverb κατωνάκην ('down to the ground' or 'completely') modifies the action in a way that suggests total destruction or dismemberment. The combination of a perfect passive participle with an active sense of the subject's agency (the women having performed the action) is rare in Aristophanic comedy, where such constructions typically serve to emphasize the completed, often grotesque, nature of the act. This construction likely alludes to the ritual or metaphorical dismemberment of the pig, a common motif in satyr plays and Old Comedy, but here twisted into a political allegory for the dismantling of the state.