Aristophanes Ecclesiazusae 504

ed. F. W. Hall, ed. William M. Geldart

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Ecclesiazusae. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1907.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ἐκκλησιάζουσαι (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.)

Translations (2)
Ecclesiazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 504 focus
They remove the beards as Praxagora and the other women enter from the right through the Orchestra.
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 504 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

508. mvp-tlg0019-tlg010-sanjaya-com-eng1-14

Line 508

χάλα συναπτοὺς ἡνίας Λακωνικάς,
The phrase 'χάλα συναπτοὺς ἡνίας' presents a syntactic crux: the verb χάλα (imperative of χαλάω, 'loosen') typically governs the accusative of the object being loosened, yet the adjective συναπτοὺς ('bound together') modifies ἡνίας in a way that creates a semantic tension. Aristophanes exploits this tension for comic effect, instructing the character to 'loosen the bound reins,' an impossible or paradoxical action that highlights the absurdity of the situation (likely the chaotic attempt to control a chariot or political body). The adverb Λακωνικάς ('in the Spartan manner') further complicates the image, alluding to a specific, perhaps rigid or unconventional, Spartan driving technique that contrasts with the paradoxical command. This construction is not a standard grammatical anomaly but a deliberate rhetorical device where syntax and semantics collide to produce humor.