Aristophanes Frogs 503

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 503 focus
Translations (1)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 503 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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ἡβυλλιῶσαι κἄρτι παρατετιλμέναι.
The participle παρατετιλμέναι (perfect passive of παρατελῶ, 'to have been led out' or 'to have been exposed') is rare in this specific perfect form with the augment and reduplication in the feminine plural nominative, appearing here to describe the frogs as 'just now led out' or 'exposed' to the chorus. The prefix παρα- adds a sense of 'standing forth' or 'presented,' and the perfect tense emphasizes the state resulting from the action of being led out onto the stage, a nuance critical for understanding the frogs' sudden appearance and their role as a chorus entering the scene.

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ὡς δοῦλος ὢν καὶ θνητὸς Ἀλκμήνης ἔσει;
The participle ὢν (being) is in the nominative masculine singular, agreeing with the implied subject 'you' (Hermes, addressing Heracles). However, the phrase ὡς δοῦλος ὢν καὶ θνητὸς creates a complex predicative structure where 'slave' and 'mortal' are both predicated of the addressee. The construction ὡς + participle here functions adverbially ('as being...'), emphasizing the contrast between Heracles' current humble state in Hades (as a slave) and his former divine status, while θνητὸς reinforces his mortality, a key irony given Heracles' deification. The phrase Ἀλκμήνης ἔσει (you will be the son of Alcmene) is in the future tense, projecting the addressee's identity back to his mortal origins despite his current situation. This juxtaposition of present participle and future verb highlights the tension between Heracles' present condition and his eternal identity.