Aristophanes Frogs 503

Matthew Dillon (Translator)

Frogs. Aristophanes. Matthew Dillon (Translator). . 2026-09-08.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Frogs (OCR draft) (English) (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 503 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 503 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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οὐκ ἂν γενοίμην Ἡρακλῆς ἄν.
The sentence presents a striking syntactic anomaly: the personal pronoun Ἡρακλῆς (Hēraklēs) functions as a vocative or appositional noun directly following the first-person verb form γενοίμην (genoímēn), creating a self-addressed paradox where the speaker (Dionysus) denies the possibility of becoming the very figure he is imitating. While the optative γενοίμην with ἂν marks a potential condition, the juxtaposition with the proper name in the nominative/vocative case creates a dramatic irony central to the play's metatheatrical critique of tragedy, as Dionysus simultaneously claims and disavows the identity of Heracles, a hero he is currently impersonating on stage.

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οὐκ ἐς κόρακας; μὴ πρόσιτον.
The phrase οὐκ ἐς κόρακας is a well-attested idiom meaning 'to nothing' or 'to the dogs,' literally 'not into the crows.' In this context, Dionysus asks if the chorus (or the frogs) are going nowhere, to which Xanthias replies with a sarcastic 'μὴ πρόσιτον' (let us not approach/come near). The use of κόρακες here likely alludes to the Greek belief that crows (or ravens) were associated with death or the underworld, fitting the play's descent into Hades. The construction μὴ πρόσιτον is an elliptical imperative or exhortation, where πρόσιτον (accusative of πρόσιτος) functions as a verbal noun meaning 'approach' or 'come near,' with the negative μὴ expressing prohibition.