Aristophanes Frogs 1414

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1414 focus
Translations (1)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1414 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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εἴ τις πτερώσας Κλεόκριτον Κινησίᾳ,
The participle πτερώσας (aorist active participle of πτερόω) is a rare and vivid metaphorical usage, literally meaning 'to wing' or 'to give wings to,' employed here to denote the act of slapping or striking someone on the backside (a common euphemism for a beating). The syntax relies on the participle functioning adverbially with the implied subject of the conditional clause, creating a compact, colloquial idiom characteristic of Aristophanic comedy that would be obscure to a reader relying solely on standard grammatical paradigms.

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τὰ δʼ ὄντα πίστʼ ἄπιστα.
The sentence presents a gnomic antithesis relying on the polysemy of πίστ(α). Here, the first πίστ refers to 'security' or 'guarantee' (derived from πίστις as a pledge), while the second refers to 'trustworthiness' or 'reliability' (derived from the adjective πιστός). This wordplay, contrasting the objective fact of a 'pledge' with the subjective failure of 'faith', is a hallmark of Aristophanic irony regarding the instability of political alliances and human nature in the play.