Aristophanes Frogs 1006

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1006 focus
Translations (1)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1006 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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καὶ δὴ χωρεῖ τουτὶ τὸ κακόν· κρανοποιῶν αὖ μʼ ἐπιτρίψει.
The compound κρανοποιῶν (cranopoion) is a hapax legomenon in Aristophanes, literally 'cup-maker' or 'cup-seller'. While the agent noun is transparent, its specific application here relies on the immediate context of the scene: the character (Xanthias) is being threatened with the rough, laborious task of making wine-jars (kranoi) for the chorus or a specific patron, a detail that underscores the comic degradation of the character from a 'wise' slave to a mere artisan. The term's rarity and its specific connotation of menial labor in the context of Dionysian festival preparations warrant noting, as it is not a generic term for a potter but a specific occupational designation within the play's internal logic.

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ἐχάρην γοῦν, †ἡνίκʼ ἤκουσα περὶ Δαρείου τεθνεῶτος,†
The phrase περὶ Δαρείου τεθνεῶτος presents a syntactic crux: the preposition περὶ + genitive with a perfect passive participle (τεθνεῶτος) functions as a causal clause ('because Darius had died') rather than the more common temporal or topical sense. This construction, where περὶ introduces a cause with a participle that implies a completed state affecting the present emotion, is rare in Aristophanes and requires careful parsing to distinguish it from a simple report of news ('about Darius'). The genitive τεθνεῶτος here is not merely attributive but carries a causal force that is syntactically compressed.

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ὅθεν ἡμὴ φρὴν ἀπομαξαμένη πολλὰς ἀρετὰς ἐποίησεν,
The verb ἀπομαξαμένη is a hapax legomenon in Aristophanes, derived from ἀπό (away) and μάσσω (to rub, wipe, or scrape), literally 'having scraped off' or 'having wiped away'. In this context, it creates a strikingly physical metaphor for the mind (φρήν) cleansing itself of impurities or ignorance to produce virtue, a usage that contrasts with the more common abstract verbs for moral improvement. The participle is in the aorist middle, implying a completed action by the subject itself, emphasizing the mind's agency in this purification process.