Aristophanes Frogs 1149

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1158 focus
Translations (2)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1158 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1158 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1149. mvp-tlg0019-tlg009-sanjaya-com-eng1-56

Line 1149

οὕτω γʼ ἂν εἴη πρὸς πατρὸς τυμβωρύχος.
The phrase πατρὸς τυμβωρύχος is a striking, hyperbolic self-description by Dionysus (or the character speaking) that relies on a specific historical and cultural pun. While τυμβωρύχος literally means 'grave-digger,' in the context of Old Comedy and the specific rivalry between Aristophanes and Euripides, it likely alludes to the accusation that Euripides 'dug up' or excavated the noble, tragic traditions of Aeschylus (and by extension, the 'father' of tragedy) to create his own, more 'barbarous' or modern style. Alternatively, it may refer to the physical act of digging graves for the dead, implying that Dionysus's current actions (mimicking Aeschylus or engaging in the underworld) are so futile or grotesque they resemble grave-robbing. The genitive πατρὸς here functions as a genitive of the object of the action, but the force is metaphorical: 'a grave-digger of the father,' where 'the father' is either the deceased Aeschylus (the 'father' of the tragedy being revived) or, more likely in the context of the play's satire, a reference to the 'father' of the household or the traditional moral order, which Dionysus is now violating. The use of the future conditional ἂν εἴη suggests a hypothetical scenario where this role becomes the speaker's defining characteristic, highlighting the absurdity of the situation.