Aristophanes Frogs 1106

Frogs. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Βάτραχοι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1109 focus
Translations (2)
Frogs (OCR draft) Experimental (English (Matthew Dillon). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1109 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1109 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1106. mvp-tlg0019-tlg009-sanjaya-com-eng1-53

Line 1106

λέγετον ἔπιτον ἀνά τε δέρετον
The imperative forms λέγετον, ἔπιτον, and δέρετον are plural second-person imperatives with the enclitic particle -ν added for emphasis or rhythmic closure, a feature common in comic verse to mark a collective command. However, the form δέρετον is particularly noteworthy: while the standard Attic imperative plural of δέρω is δέρεσθε (present) or δάρετε (aorist), the form δέρετον represents a Doric or comic variant of the present imperative, reflecting the dialectal mixture often found in Aristophanic choral or comic speech. This usage highlights the play's engagement with dialectal variation for comic effect, especially in the context of the frog chorus or a rustic scene.