Aristophanes Thesmophoriazusae 562

Thesmophoriazusae. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Θεσμοφοριάζουσαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 574 focus
Translations (2)
Thesmophoriazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 574 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 574 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

562. mvp-tlg0019-tlg008-sanjaya-com-eng1-12

Line 562

οὐδʼ ὡς ὑπὸ τῇ πυέλῳ κατώρυξέν ποτʼ—
The verb κατώρυξεν (aorist of κατωρύσσω) is used here with a prepositional phrase ὑπὸ τῇ πυέλῳ ('under the door') to describe the act of digging a tunnel. While κατωρύσσω typically implies 'digging down' or 'undermining' in a military or structural sense (e.g., undermining walls), its application to a domestic setting where a character (here, the husband Mnesilochus) is literally or metaphorically 'tunneling' out from beneath a door (or potentially a reference to the specific mechanism of the door itself) is a comic distortion of the word's usual high-register or military context. The phrase likely alludes to the absurdity of the situation: a grown man resorting to the labor of a thief or siege-engineer to escape the women's festival, highlighting the inversion of social roles central to the play.