Aristophanes Thesmophoriazusae 728

ed. F. W. Hall, ed. William M. Geldart

View: By Card

Thesmophoriazusae. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1907.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Θεσμοφοριάζουσαι (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.)

Translations (2)
Thesmophoriazusae (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 728 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 728 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

745. mvp-tlg0019-tlg008-sanjaya-com-eng1-19

Line 745

τυννοῦτον ὄν.
The form τυννοῦτον is a Doric dialectal variant of Attic τοσοῦτον ('so much'), where the initial tau and the long omega reflect the local phonology of the chorus of women from Troezen and other Doric-speaking regions. The use of this dialectal marker is not merely ornamental but signals the speakers' specific non-Athenian origins within the play's fiction, distinguishing them from the Attic-speaking male characters and reinforcing the comedic contrast between the 'barbarous' (in the linguistic sense) women and the Athenian polis.

745b. mvp-tlg0019-tlg008-sanjaya-com-eng1-20

Line 745b

τυννοῦτο;
The form τυννοῦτο is a dialectal variant of the Homeric and tragic aorist passive optative τρίτην (from τίνω), attested in the comic dialect of Aristophanes. While the standard Attic aorist passive of τίνω is τιμωρήσομαι (future) or ἐτιμωρήθην (aorist passive indicative), the comic poet employs this rare, archaic-looking form to evoke a solemn or archaic tone, likely parodying tragic diction or invoking a specific ritualistic register appropriate for the context of the Thesmophoria. This is not a standard Attic form and would confuse a reader expecting the regular Attic aorist passive.

770. mvp-tlg0019-tlg008-sanjaya-com-eng1-21

Line 770

ἐκ τοῦ Παλαμήδους· ὡς ἐκεῖνος, τὰς πλάτας
The fragment alludes to the lost tragedy of the same name, *Palamedes*, by Euripides, in which the hero was falsely accused of treason and executed. The phrase 'τὰς πλάτας' (the tablets) refers to the forged letters or documents that Euripides' Palamedes claims were planted to incriminate him, a specific detail of the myth not fully preserved in the extant corpus. Aristophanes here compresses this complex plot point into a comic tag, relying on the audience's recognition of the tragic prototype for the joke to land.