Lysistrata. Aristophanes. . 2026-09-08.
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English (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)
Provisional text from uncorrected OCR; expect errors.
Editions (1)
Λυσιστράτη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 350 focus
Χορὸς Γυναικῶν
ἔασον ὦ. τουτὶ τί ἦν; ὦνδρες πόνῳ πόνηροι·
350
οὐ γάρ ποτʼ ἂν χρηστοί γʼ ἔδρων οὐδʼ εὐσεβεῖς τάδʼ ἄνδρες.
Χορὸς γερόντων
τουτὶ τὸ πρᾶγμʼ ἡμῖν ἰδεῖν ἀπροσδόκητον ἥκει·
ἑσμὸς γυναικῶν οὑτοσὶ θύρασιν αὖ βοηθεῖ.
Χορὸς Γυναικῶν
τί βδύλλεθʼ ἡμᾶς; οὔ τί που πολλαὶ δοκοῦμεν εἶναι;
καὶ μὴν μέρος γʼ ἡμῶν ὁρᾶτʼ οὔπω τὸ μυριοστόν.
355
Χορὸς γερόντων
ὦ Φαιδρία ταύτας λαλεῖν ἐάσομεν τοσαυτί;
οὐ περικατᾶξαι τὸ ξύλον τύπτοντʼ ἐχρῆν τινʼ αὐταῖς;
Χορὸς Γυναικῶν
θώμεσθα δὴ τὰς κάλπιδας χἠμεῖς χαμᾶζʼ, ὅπως ἂν
ἢν προσφέρῃ τὴν χεῖρά τις μὴ τοῦτό μʼ ἐμποδίζῃ.
Χορὸς γερόντων
εἰ νὴ Δίʼ ἤδη τὰς γνάθους τούτων τις ἢ δὶς ἢ τρὶς
360
ἔκοψεν ὥσπερ Βουπάλου, φωνὴν ἂν οὐκ ἂν εἶχον.
Χορὸς Γυναικῶν
καὶ μὴν ἰδοὺ παταξάτω τις· στᾶσʼ ἐγὼ παρέξω,
κοὐ μή ποτʼ ἄλλη σου κύων τῶν ὄρχεων λάβηται.
Χορὸς γερόντων
εἰ μὴ σιωπήσει, θενών σου ʼκκοκκιῶ τὸ γῆρας.
Χορὸς Γυναικῶν
ἅψαι μόνον Στρατυλλίδος τῷ δακτύλῳ προσελθών.
365
Χορὸς γερόντων
τί δʼ ἢν σποδῶ τοῖς κονδύλοις; τί μʼ ἐργάσει τὸ δεινόν;
Χορὸς Γυναικῶν
βρύκουσά σου τοὺς πλεύμονας καὶ τἄντερʼ ἐξαμήσω.
Χορὸς γερόντων
οὐκ ἔστʼ ἀνὴρ Εὐριπίδου σοφώτερος ποιητής·
οὐδὲν γὰρ οὕτω θρέμμʼ ἀναιδές ἐστιν ὡς γυναῖκες.
Χορὸς Γυναικῶν
αἰρώμεθʼ ἡμεῖς θοὔδατος τὴν κάλπιν ὦ Ῥοδίππη.
370
Χορὸς γερόντων
τί δʼ ὦ θεοῖς ἐχθρὰ σὺ δεῦρʼ ὕδωρ ἔχουσʼ ἀφίκου;
Χορὸς Γυναικῶν
τί δαὶ σὺ πῦρ ὦ τύμβʼ ἔχων; ὡς σαυτὸν ἐμπυρεύσων;
Χορὸς γερόντων
ἐγὼ μὲν ἵνα νήσας πυρὰν τὰς σὰς φίλας ὑφάψω.
Χορὸς Γυναικῶν
ἐγὼ δέ γʼ ἵνα τὴν σὴν πυρὰν τούτῳ κατασβέσαιμι.
Χορὸς γερόντων
τοὐμὸν σὺ πῦρ κατασβέσεις;
375
Χορὸς Γυναικῶν
τοὔργον τάχʼ αὐτὸ δείξει.
Χορὸς γερόντων
οὐκ οἶδά σʼ εἰ τῇδʼ ὡς ἔχω τῇ λαμπάδι σταθεύσω.
Χορὸς Γυναικῶν
εἰ ῥύμμα τυγχάνεις ἔχων, λουτρόν
γʼ ἐγὼ παρέξω.
Χορὸς γερόντων
ἐμοὶ σὺ λουτρὸν ὦ σαπρά;
Χορὸς Γυναικῶν
καὶ ταῦτα νυμφικόν γε.
Χορὸς γερόντων
ἤκουσας αὐτῆς τοῦ θράσους;
Χορὸς Γυναικῶν
ἐλευθέρα γάρ εἰμι.
Χορὸς γερόντων
σχήσω σʼ ἐγὼ τῆς νῦν βοῆς.
380
Χορὸς Γυναικῶν
ἀλλʼ οὐκέθʼ ἡλιάζει.
Χορὸς γερόντων
ἔμπρησον αὐτῆς τὰς κόμας.
Χορὸς Γυναικῶν
σὸν ἔργον ὦχελῷε.
Χορὸς γερόντων
οἴμοι τάλας.
Χορὸς Γυναικῶν
μῶν θερμὸν ἦν;
Χορὸς γερόντων
ποῖ θερμόν; οὐ παύσει; τί δρᾷς;
Χορὸς Γυναικῶν
ἄρδω σʼ ὅπως ἂν βλαστάνῃς.
Χορὸς γερόντων
ἀλλʼ αὖός εἰμʼ ἤδη τρέμων.
385
Χορὸς Γυναικῶν
οὐκοῦν ἐπειδὴ πῦρ ἔχεις, σὺ χλιανεῖς σεαυτόν.
Translations (1)
Lysistrata (OCR draft) Experimental (English (Jack Lindsay). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 350 focus
STRATYLLIS
(caught)
Let me go!
WOMEN
You villainous old men, what's this you do?
395
No honest man, no pious man, could do such things as you.
MEN
Ah ha, here's something most original, I have no doubt:
A swarm of women sentinels to man the walls without.
WOMEN
So then we scare you, do we? Do we seem a fearful host?
You only see the smallest fraction mustered at this post.
400
MEN
Ho, Phaedrias, shall we put a stop to all these chattering tricks?
Suppose that now upon their backs we splintered these our sticks?
WOMEN
Let us lay down the pitchers, so our bodies will be free,
In case these lumping fellows try to cause some injury.
MEN
O hit them hard and hit again and hit until they run away,
405
And perhaps they'll learn, like Bupalus, not to have too much to say.
WOMEN
Come on, then—do it! I won't budge, but like a dog I'll bite
At every little scrap of meat that dangles in my sight.
MEN
Be quiet, or I'll bash you out of any years to come.
WOMEN
Now you just touch Stratyllis with the top-joint of your thumb.
410
MEN
What vengeance can you take if with my fists your face I beat?
WOMEN
I'll rip you with my teeth and strew your entrails at your feet.
MEN
Now I appreciate Euripides' strange subtlety:
Woman is the most shameless beast of all the beasts that be.
WOMEN
Rhodippe, come, and let's pick up our water-jars once more.
415
MEN
Ah cursed drab, what have you brought this water for?
WOMEN
What is your fire for then, you smelly corpse? Yourself to burn?
MEN
To build a pyre and make your comrades ready for the urn.
WOMEN
And I've the water to put out your fire immediately.
MEN
What, you put out my fire?
420
WOMEN
Yes, sirrah, as you soon will see.
MEN
I don't know why I hesitate to roast you with this flame.
WOMEN
If you have any soap you'll go off cleaner than you came.
MEN
Cleaner, you dirty slut?
WOMEN
A nuptial-bath in which to lie!
425
MEN
Did you hear that insolence?
WOMEN
I'm a free woman, I.
MEN
I'll make you hold your tongue.
WOMEN
Henceforth you'll serve in no more juries.
MEN
Burn off her hair for her.
430
WOMEN
Now forward, water, quench their furies!
MEN
O dear, O dear!
WOMEN
So ... was it hot?
MEN
Hot! ... Enough, O hold.
WOMEN
Watered, perhaps you'll bloom again—why not?
435
MEN
Brrr, I'm wrinkled up from shivering with cold.
WOMEN
Next time you've fire you'll warm yourself and leave us to our lot.
Commentary
Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus
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mvp-tlg0019-tlg007-sanjaya-com-eng1-8
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