Aristophanes Lysistrata 1012

Lysistrata. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Λυσιστράτη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 1014 focus
Translations (2)
Lysistrata (OCR draft) Experimental (English (Jack Lindsay). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1014 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1014 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1012. mvp-tlg0019-tlg007-sanjaya-com-eng1-53

Line 1012

πρέσβεις ἑλέσθαι τὸ πέος ἐπιδείξας τοδί.
The verb ἐπιδείξας (aorist active participle, masculine nominative singular of ἐπιδείκνυμι) here functions as a deictic gesture accompanying the noun phrase τὸ πέος. In the context of the play's parody of diplomatic protocol, the participle is not merely descriptive but performs a metatheatrical action: the character (the Athenian herald) is physically displaying the phallus as the 'treaty' or 'proof' of his authority, subverting the solemnity of the embassy's purpose. This usage of the participle to denote a simultaneous, performative act of 'showing' rather than a prior completed action is characteristic of Aristophanic farce, where physical comedy overrides syntactic expectation.