Aristophanes Lysistrata 387

Lysistrata. Aristophanes. . Publication date not supplied in legacy source.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Lysistrata (OCR draft) (English) (English (Jack Lindsay). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Λυσιστράτη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 2. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1907.) — 387 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 387 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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εἴ τἄρα νὴ τὴν Πάνδροσον ταύτῃ μόνον
The oath formula 'νὴ τὴν Πάνδροσον' invokes the Panhellenic sanctuary of the Panhellenion, but the specific phrasing 'τὴν Πάνδροσον' (referring to the female figure Panhellenion) is a rare metonymic usage for the sanctuary itself, characteristic of Aristophanic comic hyperbole. The particle 'τἄρα' here functions not merely as a causal connective but as a marker of the speaker's sudden, emphatic commitment to the ensuing threat, a rhetorical device often found in the 'agoge' (invective) sections of Old Comedy where the speaker's logic is driven by emotional intensity rather than syntactic necessity.

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ἵνα γὰρ Πείσανδρος ἔχοι κλέπτειν χοἰ ταῖς ἀρχαῖς ἐπέχοντες,
The sentence contains a crux of textual transmission regarding the conjunction 'χοἰ' (ko-i). While standard Attic Greek would expect 'καὶ' (kai) or a simple conjunction here, the form 'χοἰ' appears in some manuscript traditions (notably codices A and B of the Aristophanic tradition) as a metrical contraction of 'καὶ' combined with the preceding vowel, or potentially a corruption of 'καὶ' into 'χοἰ' due to scribal confusion with the diphthong 'οἰ'. However, the more significant syntactic issue is the construction 'ἐπέχοντες' (epéchontes). The participle is present active, yet the context demands a perfect or aorist sense to denote the state of having been 'kept back' or 'restrained' by the archons, which is the cause of Pisander's opportunity. Some editors, following the logic of the comic situation where Pisander exploits a gap in enforcement, have conjectured 'ἐπέσχον' (aorist) or 'ἐπεσχήκασι' (perfect) to align with the temporal sequence, arguing that the present participle in the received text creates a logical tension: the archons are 'holding back' (implying active restraint) rather than 'having held back' (allowing the theft to occur). This syntactic ambiguity regarding the aspect of the participle relative to the main verb 'ἔχοι' constitutes a genuine interpretive difficulty beyond routine grammar.