Aristophanes Birds 938

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 941 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 941 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 941 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

938. mvp-tlg0019-tlg006-sanjaya-com-eng1-61

Line 938

τὺ δὲ τεᾷ φρενὶ μάθε Πινδάρειον ἔπος —
The phrase Πινδάρειον ἔπος functions as a generic designation for a 'Pindaric verse' or 'epinician ode' rather than a specific citation, yet Aristophanes here alludes specifically to the famous opening of the Second Pythian Ode (1–2), where Pindar urges the soul to 'learn' (μάθε) the nature of the divine. The use of the imperative μάθε with the dative φρενὶ (mind/heart) mirrors Pindar's own didactic tone, but Aristophanes subverts the high seriousness of Pindar's exhortation to the birds by applying it to the absurd project of building Cloudcuckooland. This intertextual play relies on the audience recognizing the specific Pindaric echo of learning from the mind/soul, transforming a moment of lyrical gravity into comic instruction.