Aristophanes Birds 692

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 685 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 685 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 685 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

692. mvp-tlg0019-tlg006-sanjaya-com-eng1-34

Line 692

εἰδότες ὀρθῶς, Προδίκῳ παρʼ ἐμοῦ κλάειν εἴπητε τὸ λοιπόν.
The phrase κλάειν εἴπητε is a striking syntactic hybrid where the future imperative εἴπητε (speak) governs an infinitive κλάειν (to weep), effectively meaning 'tell him to weep' or 'have him weep.' While the future imperative often introduces a command, its combination with an infinitive to convey a jussive sense ('go and tell him to weep') is a specific Aristophanic usage that blurs the line between direct speech and reported command, characteristic of the play's linguistic playfulness regarding the Sophists' technicalities.