Aristophanes Birds 505

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 499 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 499 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 499 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

505. mvp-tlg0019-tlg006-sanjaya-com-eng1-18

Line 505

χὠπόθʼ ὁ κόκκυξ εἴποι κόκκυ, τότʼ ἂν οἱ Φοίνικες ἅπαντες
The phrase 'ὁ κόκκυξ εἴποι κόκκυ' is a deliberate self-referential pun on the bird's name (κόκκυξ) and its cry (κόκκυ). This is not merely a descriptive onomatopoeia but a metalinguistic joke characteristic of Aristophanic comedy, where the bird's identity is defined by its sound. The conditional structure 'χὠπόθ' ... εἴποι ... τότ' ἂν' sets up a hypothetical scenario of impossible certainty, which in the context of the play serves to satirize the absurdity of the Birds' utopian project or the characters' gullibility, suggesting that the Phoenicians will only come (or that a specific condition will be met) at the moment the cuckoo speaks its own name—a tautology that implies the condition is either trivial or never to be fulfilled.