Aristophanes Birds 1021b

Birds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ὄρνιθες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1021 focus
Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 1021 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1021 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1021b. mvp-tlg0019-tlg006-sanjaya-com-eng1-64

Line 1021b

τίς ὁ Σαρδανάπαλλος οὑτοσί;
The character Peisthetaerus uses this question to mock the effeminacy and decadence of the Persian king Sardanapallus (a figure known from later Hellenistic and Roman tradition, notably Diodorus Siculus, rather than contemporary 5th-century sources). Aristophanes employs this anachronistic allusion to characterize the current political leader (likely Cleon or a similar demagogue) as a figure of moral corruption and softness, contrasting sharply with the traditional Greek ideal of martial virtue. The specific epithet 'Sardanapallus' functions as a cultural shorthand for extreme luxury and passivity, a rhetorical device that relies on the audience's recognition of the legendary Persian king as a symbol of Eastern decadence.