Aristophanes Birds 1196

ed. F. W. Hall, ed. William M. Geldart

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Birds. Aristophanes. ed. F. W. Hall, ed. William M. Geldart. Oxford. 1906.

Sponsored by Perseus Project, Tufts University.

Funding provided by The Annenberg CPB/Project.

Current edition Perseus

Ὄρνιθες (Greek) (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.)

Translations (3)
Birds Perseus (Aristophanes. The Complete Greek Drama, Vol. 2. Anonymous, translator. O'Neill, Eugene; Oates, Whitney Jennings, editors. New York: Random House, 1938 (printing).)

No corresponding passage available

Birds (OCR draft) Experimental (Anonymous translation, 1938 compilation; legacy Perseus source migration. Preserved separately from the revised canonical perseus-eng2 at the project owner's request.) — 1196 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1196 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1197. mvp-tlg0019-tlg006-sanjaya-com-eng1-80

Line 1197

ὡς ἐγγὺς ἤδη δαίμονος πεδαρσίου
The adjective πεδαρσίου (pedarsiou) is a hapax legomenon in Aristophanes, appearing only here in the extant corpus. It is derived from πέδᾱ (pedā, 'ground' or 'earth') and ἄρσις (arsis, 'lifting' or 'raising'), likely meaning 'earth-lifting' or 'ground-uprooting.' The term is a comic coinage describing the Chorus of Birds as a daemon of such magnitude that they can lift the earth itself, reflecting the play's central theme of the birds establishing a new aerial kingdom that challenges the gods. The rarity and etymological construction of the word warrant specific attention to the playwright's inventive morphology.