Aristophanes Peace 520

ed. Eugene O'Neill, Jr.

Peace. Aristophanes. ed. Eugene O'Neill, Jr.. New York. 1938.

Sponsored by Perseus Project, Tufts University.

Current edition Experimental

Peace (OCR draft) (English) (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Εἰρήνη Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 657-728 focus
Translations (1)
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 520 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

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† κόλπου † γυναικῶν διατρεχουσῶν εἰς ἀγρόν,
The transmitted text here is corrupt. The phrase † κόλπου † (genitive of κόλπος, 'bosom' or 'lap') is syntactically incoherent with the participle διατρεχουσῶν ('running through') modifying γυναικῶν ('women'). A running woman does not run 'of the bosom'. Scholars have long recognized this as a textual crux. The most widely accepted conjecture, supported by the context of the play where the chorus of women is fleeing to the fields, is to read ὁλκῶν (genitive of ὁλκός, 'drawing' or 'dragging') or perhaps to emend κόλπου to a word indicating the direction or manner of their flight, such as κολυμβῶν (diving/swimming) in a metaphorical sense, though the exact emendation remains debated. The corruption likely stems from a visual confusion between similar-looking letters in the archetype or a scribal gloss that entered the main text.

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κατέπαρδεν ἄρτι τοῦ ξιφουργοῦ ʼκεινουί.
The phrase τοῦ ξιφουργοῦ refers to the 'sword-maker' or 'armorer,' a term that appears in Aristophanic comedy to denote a specific type of artisan often associated with the chaotic mobilization of the citizenry or the absurdity of war production. In this context, the verb κατέπαρδεν (aorist active indicative of καταπαρδάω, 'to make a pounce upon' or 'to pounce down on') suggests a sudden, predatory action by the subject (likely Hermes or a similar divine figure in the immediate context of the play) against the sword-maker. The construction with the genitive τοῦ ξιφουργοῦ is notable for its directness and the use of the verb in a metaphorical sense, highlighting the dramatic tension between the divine intervention and the human figure of the armorer.