Aristophanes Wasps 937

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 891-1008b focus
Translations (2)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 953 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 953 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

937. mvp-tlg0019-tlg004-sanjaya-com-eng1-48

Line 937

Λάβητι μάρτυρας παρεῖναι τρύβλιον
The imperative λάβητι (from λαμβάνω) is a second-person singular aorist active imperative of the third (contract) verb class, exhibiting the Attic contraction of the stem vowel -ε- with the ending -τι to form -ητι. While this form is standard in Attic comedy, its occurrence here is syntactically notable because it governs a subjectless infinitive clause (παραῖναι) with an accusative object (τρύβλιον) that functions as the subject of the infinitive. The phrase τρύβλιον (a 'trouble' or 'trick', often referring to a specific legal maneuver or a physical object used in a trick) is used in a specialized legal context where the plaintiff is being told to 'take' (i.e., summon or produce) the witnesses as if they were a tangible object, reflecting the hyperbolic, comic reduction of legal procedure to physical possession. This construction highlights the play's satire of the hyper-litigiousness of the elderly, who treat the legal process as a game of physical objects rather than abstract truth.