Aristophanes Wasps 1432

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1450-1473 focus
Translations (2)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1417 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1417 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1432. mvp-tlg0019-tlg004-sanjaya-com-eng1-83

Line 1432

οὕτω δὲ καὶ σὺ παράτρεχʼ ἐς τὰ Πιττάλου.
The proper noun Πιττάλου is the genitive of Πίτταλος, referring to Pittalacus, a well-known Athenian flute-girl (hetaera) associated with the symposia of the late fifth century. In this context, the verb παράτρεχʼ (run alongside/across to) functions as a comic euphemism for sexual intercourse or, more specifically, for visiting a prostitute, a common trope in Old Comedy where characters are urged to 'run to' a woman's house. The specific reference to Pittalacus likely alludes to a contemporary scandal or a specific reputation of hers that would have been immediately recognizable to the original audience, serving as a punchline to the preceding dialogue about the old man's behavior.