Aristophanes Wasps 1269

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1265-1291 focus
Translations (2)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1265 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1265 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1269. mvp-tlg0019-tlg004-sanjaya-com-eng1-69

Line 1269

δειπνοῦντα μετὰ Λεωγόρου·
The participle δειπνοῦντα ('dining') is in the accusative case, functioning as a supplement to the implied subject of the surrounding context (likely a participle of perception or a verb of motion/state in the missing antecedent clause). This construction, where the accusative participle denotes an action simultaneous with the main verb's subject, is standard for Aristophanic dialogue but requires attention to the elided verb of the main clause to identify the actor. The specific pairing with Λεωγόρου (the genitive 'of Leogoras') indicates a meal shared with this prominent Athenian, whose political career and subsequent trial for impiety (c. 415 BCE) provide a sharp satirical edge to the scene, contrasting the domestic intimacy of the dinner with the public danger Leogoras faced.