Aristophanes Wasps 1032

Wasps. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Σφῆκες Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1009-1121 focus
Translations (2)
Wasps (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1015 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1015 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1032. mvp-tlg0019-tlg004-sanjaya-com-eng1-52

Line 1032

οὗ δεινόταται μὲν ἀπʼ ὀφθαλμῶν Κύννης ἀκτῖνες ἔλαμπον,
The genitive absolute construction 'ἀπʼ ὀφθαλμῶν Κύννης ἀκτῖνες ἔλαμπον' is syntactically elliptical, with the preposition 'ἀπʼ' governing 'ὀφθαλμῶν' while the subject 'ἀκτῖνες' stands in apposition to the implied source of the light, a usage that requires the reader to supply the implicit verb of emanation ('ἐξέπεμπον') to fully grasp the causal link to the preceding clause describing the judge's terrifying gaze. This construction is a marked example of Aristophanic compression where the physical description of the 'rays' (ἀκτῖνες) serves as the grammatical pivot for the hyperbolic characterization of Kynna's (or the judge's) stare, functioning not merely as a descriptive detail but as the syntactic engine for the comic exaggeration of the 'terrible' (δεινόταται) nature of the look.