Aristophanes Clouds 623

Clouds. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Νεφέλαι Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 627-888a focus
Translations (2)
Clouds Perseus (Aristophanes. The Comedies of Aristophanes, Vol. I. Hickie, William James, translator. Bohn: London, 1853.) — 627 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 627 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

623. mvp-tlg0019-tlg003-sanjaya-com-eng1-43

Line 623

σπένδεθʼ ὑμεῖς καὶ γελᾶτʼ· ἀνθʼ ὧν λαχὼν Ὑπέρβολος
The phrase ἀνθ' ὧν functions as a causal particle meaning 'in return for this' or 'consequently', introducing the specific example of Hyperbolos as the object of the preceding command to 'pour libations and laugh'. The construction relies on the anaphoric neuter plural pronoun ὧν referring back to the collective situation of the chorus's mockery, a usage typical of Aristophanic comedy where the chorus directly addresses the audience or the stage action to validate the satire. The abrupt ellipsis of the verb (e.g., 'he is the one') following Hyperbolos is a deliberate dramatic device, leaving the name hanging to emphasize the absurdity of sacrificing to a man who has become the butt of the joke, thereby reinforcing the comic inversion of religious ritual.