Aristophanes Knights 830

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 824 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 824 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 824 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

830. mvp-tlg0019-tlg002-sanjaya-com-eng1-57

Line 830

τί θαλαττοκοπεῖς καὶ πλατυγίζεις,
The verb θαλαττοκοπέω is a hapax legomenon in Aristophanes, a coined compound combining θαλαττο- (sea) and -κοπέω (to cut/trim, from κόπτω). Here it functions as a vivid metaphor for 'trimming one's beard to look like a sailor' or 'acting the part of a sea-faring man,' reflecting the specific Athenian anxiety about naval strategy and the visual identity of the demagogues who rose to power on naval platforms. The second verb, πλατυγίζεις, is a rare compound from πλατύς (broad) and γιγνώσκω (to make known/grow), likely meaning 'to spread oneself out' or 'to act pompously/broadly,' creating a parallelism of physical posturing with political posturing that mocks the defendant's (Cleon's) perceived arrogance and self-aggrandizement.