Aristophanes Knights 772

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 763 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 763 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 763 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

772. mvp-tlg0019-tlg002-sanjaya-com-eng1-45

Line 772

καὶ τῇ κρεάγρᾳ τῶν ὀρχιπέδων ἑλκοίμην ἐς Κεραμεικόν.
The phrase τῶν ὀρχιπέδων (of the testicles) is a striking example of Aristophanic grotesque realism, where the abstract concept of punishment is concretized through the most vulnerable part of the male body. While the genitive is grammatically standard for possession or reference, the semantic force here relies on the specific cultural understanding of the κρεάγρα (meat-market) not merely as a place of commerce, but as a location of slaughter and dismemberment. The humor derives from the hyperbolic threat of being dragged by one's testicles to the potters' quarter (Κεραμεικόν), a district associated with the production of pottery and, in a grimly literal sense, the burial of the dead, thereby combining physical mutilation with social death.