Aristophanes Knights 1058

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1060 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1060 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1060 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1058. mvp-tlg0019-tlg002-sanjaya-com-eng1-82

Line 1058

ἀλλὰ τόδε φράσσαι, πρὸ Πύλου Πύλον ἥν σοι ἔφραζεν.
The phrase πρὸ Πύλου Πύλον presents a striking pleonasm that functions as a specific rhetorical intensification rather than a simple locative construction. Here, the preposition πρὸ (before) governs the genitive Πύλου to denote 'before the event at Pylos,' while the accusative Πύλον acts as the object of the verb φράσσαι (to tell/make known) or is in apposition to the implied event, creating a chiasmus that emphasizes the speaker's insistence that the addressee is being reminded of the very same specific event previously disclosed. This construction is characteristic of Aristophanic comedy, where the repetition serves to mock the addressee's supposed forgetfulness or to underscore the absurdity of the situation by forcing the audience to hear the proper name twice in immediate proximity with different grammatical functions.