Aristophanes Knights 1017

Knights. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἱππῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1014 focus
Translations (2)
Knights (OCR draft) Experimental (English (Anonymous; 1938 compilation). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1014 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1014 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1017. mvp-tlg0019-tlg002-sanjaya-com-eng1-77

Line 1017

σῴζεσθαί σʼ ἐκέλευσʼ ἱερὸν κύνα καρχαρόδοντα,
The phrase ἱερὸν κύνα καρχαρόδοντα functions as a periphrastic apposition identifying the subject of the infinitive σῴζεσθαι. Here, 'dog' (κύνα) is not a metaphor for a generic guard but a specific reference to the 'sacred dog' of the deme of Collytus, a known figure in Athenian local cult and comedy who was often associated with the character of the Paphlagonian or the demagogue Cleon in the play. The adjective καρχαρόδοντα ('jaws-tearing' or 'ferocious') is a compound adjective formed with the aorist participle of καρχαρόω, a rare formation that emphasizes the animal's violent nature, contrasting with the sacred status implied by ἱερόν. This specific epithet and the appositional structure serve to satirically elevate a real, perhaps infamous, local animal to the status of a divine protector, a typical Aristophanic technique of conflating the mundane with the sacred to mock political figures.