Aristophanes Acharnians 867

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 860-928 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 860 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 860 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

867. mvp-tlg0019-tlg001-sanjaya-com-eng1-44

Line 867

νεὶ τὸν Ἰόλαον ἐπεχαρίττα γʼ ὦ ξένε·
The adverbial phrase ἐπεχαρίττα is a hapax legomenon in Aristophanes, formed with the intensive prefix ἐπι- attached to the feminine accusative of the adjective χαρίττα (itself a rare or coined formation related to χάρις). Its meaning here, roughly 'most graciously' or 'with the utmost favor,' is crucial for understanding the speaker's ironic tone: the speaker (likely Dicaeopolis) is mocking the pretensions of the Theban herald or a similar figure by using an inflated, pseudo-formal adverbialism to describe a request or action that is actually trivial or presumptuous. The construction relies on the colloquial yet hyperbolic register typical of Old Comedy, where such adverbial coinages serve to caricature the pompous speech of the antagonist.