Aristophanes Acharnians 759

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 719-835 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 750 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 750 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

759. mvp-tlg0019-tlg001-sanjaya-com-eng1-29

Line 759

παρʼ ἁμὶ πολυτίματος ᾇπερ τοὶ θεοί.
The phrase contains two notable dialectal features characteristic of the Doric and Boeotian dialects employed by the chorus of Acharnians: the preposition ἁμὶ (Attic ἡμῖν) and the dative plural article τοί (Attic τοῖς). While the Doric dialect is standard for the chorus in Old Comedy, the specific use of τοί here, rather than the more common Atticizing τοῖς or the Boeotian τῶν, reflects the local Boeotian identity of the Acharnians (who were technically from Attica but often associated with the broader Boeotian linguistic sphere in comic exaggeration or simply adhering to the strict Doric of the chorus). Furthermore, the verb form ᾇπερ is a Doric contraction of ἄγει (or related forms like ἄγουσι) with the enclitic particle περ, creating a specific rhythmic and dialectal texture essential for the choral song's meter and character, distinguishing it from the iambic trimeters of the dialogue.