Aristophanes Acharnians 1174

Acharnians. Aristophanes. . 2026-09-08.

Current edition Experimental

Commentary (Sanjaya, generated; selected passages) (OCR draft) (English) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.)

Provisional text from uncorrected OCR; expect errors.

Editions (1)
Ἀχαρνῆς Perseus (Aristophanes. Aristophanis Comoediae, Vol. 1. Hall, F. W. and Geldart, William M., editors. Oxford: Clarendon Press, 1906.) — 1174-1226 focus
Translations (2)
Acharnians (OCR draft) Experimental (English (Anonymous; Liveright, 192?). Migrated from Perseus legacy XML; source wording and notes retained. See TEI header and migration inventory.) — 1174 focus
English (Sanjaya, generated; selected passages) (OCR draft) Experimental (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) — 1174 focus

Commentary

Commentary (Sanjaya, generated; selected passages) (OCR draft) (Source: pnadelofficial/aristophanes-sanjaya, commit c319590c139e5603e71f0699caa0663d823af8ad. Machine-generated source annotations retained; see Sanjaya import audit for coverage and limitations.) focus

1174. mvp-tlg0019-tlg001-sanjaya-com-eng1-68

Line 1174

ὦ δμῶες οἳ κατʼ οἶκόν ἐστε Λαμάχου,
The vocative address 'ὦ δμῶες' (slaves/servants) directed at the chorus of old men is a deliberate piece of comic irony and social inversion. While the chorus members are technically free citizens of Athens, Dicaeopolis, the protagonist, addresses them as 'slaves' to highlight their subservience to the war-monger Lamachus and to mock the military hierarchy. This is not a literal designation of status but a rhetorical device characteristic of Old Comedy, where the protagonist often degrades or elevates characters to suit the satirical tone. The specific reference to 'Lamachus' (a real historical Athenian general known for his bellicosity) grounds the joke in contemporary political satire, contrasting the old men's domestic setting ('κατʼ οἶκόν ἐστε') with the general's martial reputation.